Friday, August 7, 2026
Book Review: The Saturdays
Author: Elizabeth Enright
Date: 1941
Publisher: Holt Rinehart & Winston
ISBN: 0-03-035760-8
Length: 175 pages
Illustrations: drawings by the author
Quote: "Why don't we put all our allowances together once a week and let one of us spend them?"
In 1941, children who were ten, twelve, and thirteen were considered old enough to spend $1.60 all by themselves in New York City, doing "something really good...something we've always wanted to do." Although they later decide it might be even better fun to take these outings as a family, their father finds this "An excellent idea...I was going to suggest it myself but I much prefer having it come from you."
Mercy. Why does a book as old and quaint as this one even have an ISBN? Because it's a good book; because children liked it, and kept it in print up into the 1980s.
One of the kids goes to an art museum where she bonds, for the first time, with an old family acquaintance who grew up in France and once ran off with Gypsies. One goes to the opera and, on the way home, adopts a dog. (Both the dog and the old lady reappear in the three sequels to this book.) One gets her hair professionally "styled" and meets a woman who ran away from an abusive home at thirteen. Their younger brother goes to the circus, gets lost, and makes himself sick on junkfood. During one of their shared adventures they explore Central Park, where one of them falls out of a boat.
Then their Saturday adventures take a more alarming turn, with a furnace disaster and an unrelated fire. After that they really are "luckier than other people," as one of them observes in a sequel, because the old lady comes to their rescue and they'll never have to live in New York City again.
When I was eight, ten, twelve, I thought the four "Melendy Family" books were the best series ever written for children. I still do. (Tom Sawyer and its sequels have child characters, but the books were written for adults.)
One thing I enjoyed was that Enright refused to write down to the child reader. I first read her books, stretching my mind around the unfamiliar words, at age eight. My brother made me read them aloud to him when he was six. We thought a good story was worth learning to understand phrases like "rust-colored buds on the ailanthus trees" and "prickling of camphory fur" and "leaping and pirouetting." Actually, I thought that was a major part of the pleasure these books offered.
Enright did this even in Thimble Summer, the one of her books that won the Newbery Award--possibly because it was about normal children. The Melendys, and the children in Gone-Away Lake, are definitely gifted and talented. I think my brother and I enjoyed these books so much more than Thimble Summer because we appreciated the message that there were other talented freaks like us in the world. In The Saturdays the children are merely interested in the "classical" arts; in sequels one becomes a professional actress, one a church musician, one a dancer, and there's never any doubt that even the baby brother will eventually be a brilliant engineer. More refreshingly, there's never any hint that a talent for engineering rather than the arts makes him inferior to or different from his artsy siblings, either.
The Saturdays is recommended to all fans and collectors of this author, and to all gifted and talented children.
Friday, May 22, 2026
Book Review for 5.11.26: Love's Harvest
Tuesday, May 5, 2026
Book Review: Young King
Monday, December 15, 2025
Vintage Book Review: Holiday Mountain
Thursday, November 20, 2025
Book Review: The Steep Ascent
Tuesday, November 4, 2025
Book Review: Mariana
Thursday, August 15, 2024
Book Review for 8.4.24: God in the Dock
Sunday, June 2, 2024
Book Review: Secret Lives
Friday, September 22, 2023
Book Review: Wise Blood
Book Review: Wise Blood
Author: Flannery O’Connor
Date: 1949, 1983
Publisher: Farrar Straus & Giroux (1949), Signet (1983)
ISBN: none
Length: 232 pages (1949), 120 pages (1983)
Quote: “Do you think I believe in Jesus? Well I wouldn’t even if He existed.”
The Bible says, “The fool hath said in his heart, ‘There is no God.’” Wise Blood (which exists in a bulky, eye-friendly form and in a compressed, closely printed form) is an expanded variation on this theme. Whether you have the original 232 pages or the unabridged packed-down 120 pages, what you have is the tragic history of a young fool.
The word “fool” has always included the ideas of genuine stupidity, of sickness, and of wrongheadedness, or any combination of all three. Hazel Motes, a shellshocked veteran, seems to be both sick and wrongheaded. He is also ignorant. He probably would never have been at the head of any class in any school, and he didn’t spend much time in school, but he’s not stupid enough to be easily written off. He is not more than twenty-three years old, apparently attractive to women, very serious, very sensitive, and very confused. Deeply religious before the war, he comes home determined to be an atheist, but he’s not cynical enough to be a good one. He gives up his attempt to organize a “Church of the Truth Without Jesus Christ” when his followers fail to keep his doctrine pure.
Before he dies—and there’s no room for doubt that he wants to die—Haze is determined to commit some Major Sins, and he commits some, in the laughable way that’s probably only possible for a very young and very goodhearted ex-Christian. He offers his virginity to a sleazy woman. That’s not bad enough. He rents a room from a decent woman, preaches atheism, is revulsed by his followers, and decides to seduce an old blind preacher’s daughter. To his disgust, the preacher is neither really blind nor really a Christian; it’s not clear whether his partner-in-fraud is really related to him, but being seduced is nothing new to her. The landlady steps in to help Haze get rid of this pair of scam artists, tries mothering him and even gets her hopes up about marrying him, but by this time Haze is walking around with barbed wire wrapped around his chest and gravel in his shoes, trying to die of pneumonia.
O’Connor was a Catholic, looking down on the Protestant peasantry of North Georgia. It’s hard to imagine her ever thinking of Haze as someone that God, as O’Connor understood God, wasn’t actively trying to redeem, through the grotesque days of his decline; but she couldn’t quite bring her antihero to salvation. And Wise Blood is probably easier to take if the reader is also Catholic, or Buddhist, or something that allows some hope for Haze’s posthumous redemption.
It’s also an anti-war tract. Men like Haze are still floundering around the streets of our cities today. As I read I found myself thinking, “Not true: friends and relatives of mine who saw horrible things, not even in Germany where they were told they could feel good about them, but in Korea and Vietnam, came home and were okay, as long as they hadn’t taken drugs.” Yes, but they had homes to come back to. Haze doesn’t. Haze, as fictional character, represents all the guys who joined the Army because their parents were homeless or on welfare or dead, or because they’d stomped or been kicked out of their parents’ or wives’ homes, or because they’d done something stupid and needed to get out of town fast. These were not the soldiers to whom we sent food treats in Vietnam. They were the ones to whom nobody wrote letters. I used to see them, and some of them were as old as Haze but were still alive, at soup kitchens in Washington. They were still visibly deranged. Most of them had, at some point between 1945 and 1985, taken some sort of drugs or “medication.” Mostly it hadn’t helped. Most of them were still carrying heavy loads of hate, grief, and guilt; many were also twitching. This is one of the things wars have always done to young men, and, these days, to young women.
O’Connor’s way of writing stories like Wise Blood is not for everyone. How can this tragic story be told as if it were a satirical comedy? O'Connor probably intended that most readers would want to rescue, if not to adopt, Haze. She intended to kill him by torture, anyway, and part of the torture is setting him in a scene like a Hogarth painting. These things exist, O’Connor tells us, and you, who are almost certainly stronger than I am, can do something about them, now that I’ve forced you to see that they’re there. Go and do it.
Sunday, June 18, 2023
Book Review: I Found God in Soviet Russia
Title: I Found God in Soviet Russia
Author: John Noble
Publisher: St Martin’s
Date: 1959
ISBN: none
Length: 192 pages
John Noble, a German-American living in Germany, had trouble getting back to the United States when the war broke out. When the Russian army invaded, he and his father were arrested, apparently for having tried to leave Germany. Such official excuses were made, he tells us, when either of the two cash-strapped governments coveted someone’s wealth—his father had a thriving camera factory, which, unfortunately, had been damaged in the war.
Believing that God had allowed this to happen to them because they had not been practicing their Christian faith, father and son resolved to pray and testify in prison. The eventual result was this story of ecumenical Christian services in a Soviet labor camp. “Inspiring”? Maybe, but when Noble finally got back to the States, he expressed no interest in going back.
In addition to their persistence in prayer, this book gives a sketch of the cultural diversity the Soviets tried to flatten out. We meet people from several different ethnic groups and religious traditions. Unfortunately, due to the circumstances, we learn little more about them, but this memoir does affirm that good (and bad) people are found in all ethnic groups.
Thursday, March 9, 2023
Old Book Review: Call Me Charley
Book Review: Call Me Charley
Author: Jesse Jackson
Date: 1945
Publisher: Harper & Row
ISBN: none
Length: 183 pages
Illustrations: drawings by Doris Spiegel
Quote: “You’ve got to see my workshop and maybe you will get to see the hideout if we initiate you into the club.”
Once upon a time, when the United States was not so badly overcrowded, there were whole neighborhoods in which children had never seen a person whose ancestors came from a different part of the world, and so there was a need for storybooks about the first and only child from various minority groups in a school. As a rule these storybooks were nicer than some of the actual memories of people who were the only one of their ethnic group in their schools, and nastier than others. There was always an obnoxious child, or a few obnoxious children, who didn’t want to be friendly to someone they saw as different (in real life this was not always the case) and there was always a nice child who did want to be friendly, and by the end of the story they were all playing together.
In real life, there were and still neighborhoods where the new kid at school has to fight his way up to his position in the hierarchy of physical or social bullying. The first member of a minority group would have faced the same overt challenges that a new member of the majority group faced. The key was to be tough enough, if not to win all the fights, at least not to show fear. Children's book publishers at this period very seldom wanted to discuss that kind of schools or neighborhoods. Denial ruled. At schools worth reading about that kind of social life didn't happen.
So children’s books in this genre stuck to the relatively non-controversial issue of playing with other children at recess. Adults did not think children needed to bother their little heads about more controversial issues like job and housing discrimination, religious practice, interfaith or interethnic marriage, the fact that some members of minorities were not always conceded their civil rights, or the fact that sometimes it was the newcomer or minority person who didn’t want to be friendly. Children were supposed to be so innocent that all they needed was an occasional nudge about the benefits of always acting friendly.
Call Me Charley is that sort of book. Charley is the only African-American in his neighborhood. And his story was likely to be the only book in the middle school library—if the school was prosperous enough to have a library, which wasn’t necessarily the case, either, in 1945—about a little boy who really was “a Negro.” In the first scene in the book Charley has to remind his new school friends that his name is not Sambo, which was the name of the protagonist in a sillier story, for younger children, about a little boy in India.
Times have changed more than that. In Charley’s first conversation with his new pals Tom and George, the story they tell him is about how the little boy whom Charley will of course replace in the club got his leg cut off by slipping on the railroad tracks, trying to dodge an oncoming train, when all the boys were picking up coal around the tracks. None of these children is considered poor and desperate. They live in nice houses, with cooks who can afford to let them “steal” an occasional cookie between meals, and scraps of building materials to use in their hideout. Picking up bits of coal that fall off railroad cars was just something “smart, thrifty” adults encouraged kids to do in those days. Call it an early form of recycling.
By the time I was old enough to read books like Call Me Charley, or like Melindy’s Medal or Mary Jane, African-American adults were saying that the need for these books had passed. Libraries could afford to discard surviving copies and give us books by Langston Hughes or Lucille Clifton, unless these older storybooks were loved--and sometimes they were. Another very trendy genre of storybooks by Euro-American authors didn’t mention anybody’s ethnicity in an old-fashioned way, but were illustrated with pictures of ethnically integrated groups of children. Our generation weren’t supposed to be oldfashioned enough to think about where our friends’ parents came from. Some of us perversely and rebelliously persisted in thinking our ethnic roots were interesting.
Our local libraries preserved old books for their historical value for a good long time, so I was allowed to grow up with books about children who would, if real, have been as old as my parents; Charley would be about the age of my mother. On the whole I think those books were valuable, and should be kept available for the rising generation. Call Me Charley was not a favorite of mine, because it’s about boys. Nor was it a favorite of my brother’s, because it’s about city boys; none of the main characters is a horse, or a dog, or even a devoted dog owner. It’s a nice, cheerful story about boys who overlook their differences and play as a group. It’s still worth reading, once, especially by children who have grandparents who might appreciate an opportunity to tell the children about what they were doing in 1945.
Personally, I'd like to see libraries discard only a few really bad books that they shouldn't have acquired in the first place, and keep books that were terribly timely when printed and are historical curiosities now. A library should be a place where people who like historical curiosities can find them. How do we make history interesting for children? If the children like stories, as I did, what works is to let them read stories of other times and places, and let them be attracted to the facts of history by curiosity about how and why things were so different. Children need to know that although most houses had been connected to the electrical grid by 1945, the mad scramble to replace oldfashioned things that still worked hadn't started; many people used electric lights but still cooked with gas and heated their homes with coal. A book from the 1940s, like Call Me Charley or The Melendy Family or Meet the Malones, painlessly installs that fact in their minds and may encourage them to fill in more facts about the period.
Yes, some may fret, but what about the outdated language? Call Me Charley was written by a Black author (the Jesse Jackson who's famous today may have been named after him) and presents Charley's Blackness in the way Black Americans who were born in 1908 preferred to talk about it. I wouldn't worry unless the children in question are fighting a real race war. In a normal modern integrated school, one can hope the giggling about outdated word choices will be mutual, and one can squelch any attempts to revive it with "Are you trying to talk like someone in 1945? Why don't you look up some more about that time? What about 'ration tickets'? What kind of song would you expect to hear played by a 'big band'? Where were people still using animals for transportation, and where were the streets full of cars, and what kind of cars?" When my parents used to do things like that, they really made the historical study projects interesting. They found a 1940s radio comedy rerun broadcast on radio; today you might find recordings on the Internet. You can find recipes, schoolbooks, even newspapers and magazines from the 1940s if you look hard enough, and while children's clothes that old are hard to find, hand-sewn clothes were cool in the 1940s and you might find patterns.
Wednesday, January 18, 2023
Book Review: The Little World of Don Camillo
Title: The Little World of Don Camillo
Author: Giovanni Guareschi
Translator: Una Vincenzo Trowbridge
Publisher: Farrar Straus
Date: 1950
ISBN: none
Length: 205 pages
Illustrations: cartoons by the author
Quote: “‘And anyway it was not as God’s priest that I beat you up but as my political adversary. Anyhow I did it in a moment of weakness.’ ‘Besides this and your activities in that devilish party, have you any other sins to confess?’ Peppone spilled them out, but all in all Don Camillo found nothing very serious.”
The little world of Don Camillo and his frenemy Peppone, Guareschi said in one of many reprints of his best known book, was a fictional village similar to his home town. People would quarrel and fight as if they could settle their differences in a trial by combat, but they fought “fairly, without hate,” held few grudges, and were generally goodhearted and generous. So Camillo, the priest, and Peppone, the Communist (but he hadn’t gone far enough in his studies of Marx to give up being Catholic), constantly disagreed about local politics, but never forgot that they’d been friends when younger.
In the late 1940s, Guareschi said, the incidents that suggested these stories were news items. Sometimes he’d think of a variation on a news story that would be funnier, then decide that it couldn’t happen, then read another news story in which it did happen. Would Peppone really shoot at a plane while someone in it was dropping anti-Communist leaflets? Peppone wasn’t quite mean enough to do that, but Guareschi went ahead and wrote a story about such an incident after reading that a local Communist demagogue had indeed shot down a plane from which anti-Communist leaflets were being dropped.
Are these characters stereotypical Italians? Perhaps, but few Italians seemed to mind. After all, the stereotype of Italians includes being cheerful and goodhearted, and Camillo and Peppone are portrayed as brave, honorable veterans who had each other's backs during the war.
“If there is a priest anywhere who feels offended by my treatment of Don Camillo,” Guareschi wrote, “he is welcome to break the biggest candle available over my head. And if there is a Communist who feels offended by Peppone, he is welcome to break a hammer and sickle on my back. But if there is anyone who is offended by the conversations of Christ, I can’t help it; for the one who speaks in this story is not Christ but my Christ…the voice of my conscience.” In later volumes he said that the Christ with whom Don Camillo has long imaginary conversations is to be imagined as the one in Don Camillo’s head, but of course a fictional character’s “self-talk” is his author’s too.
This was the first collection of Don Camillo stories to be printed as one volume. Though the stories were printed separately, not as a serial story, the last few can be said to give the book a climax and a denouement.
Tuesday, December 13, 2022
Book Review: All Honorable Men
Title: All Honorable Men
Author: James Stewart Martin
Date: 1950
Publisher: Little Brown
ISBN: none
Length: 300 pages plus index
Quote: “In mid-March 1939, when a group of some of the largest British and German industrialists gathered at Düsseldorf to map plans for the economic collaboration between their two countries, the press barely reported the meetings.”
James Stewart Martin was a Maryland lawyer whose opposition to monopolies got him appointed to a wartime job investigating precisely how multinational corporations helped the Nazis begin their attacks on the U.S. and U.K.:
“In 1940, 1941 and 1942, ships leaving American seaports had had the same security measures to protect their departure. Yet many of their broken hulls and water-soaked cargoes had washed up…German submarines had spotted them within sight on shore…every man on board had been marked before the captain opened his orders. Though they may not have known it, the cargoes they carried were insured with Munich. The routine system of placing insurance had put precise information on their sailing date and destination in the hands of the Germans before the ship left port.”
All Honorable Men is an old, dusty, musty book, my copy discarded by a library because after years of wear and tear it’s fallen into neglect. This is unfortunate. Despite the author’s inability to predict which names would still be familiar today (Bayer and Monsanto are mentioned, though neither was yet seen as a very important factor in the war) and the need to keep an encyclopedia handy while reading, it’s a well-told true story illuminating just how the international good feeling of the early twentieth century would cost American lives in the next generation. International good feeling, in the sense of greed for international money and grabs for international power, subsided only slightly in the 1950s and have resurged to even more cancerous levels of corporate “growth” since the Internet has developed. Huge corporations still reach out for those international mergers that gobble up the locally owned enterprises. Today even more than in the 1930s, multinational corporations stand ready to be drafted into the service of any hotheaded demagogue who can get himself into an influential position in some desperate little country that wants to challenge the English-speaking nations for world leadership.
Once again, most of us think nothing of using the Internet to document what we’re shipping, where, at what price, whether and for how much insured, or even when we’re travelling ourselves. That information is available all over the world and the main thing protecting most of us from theft, sabotage, or worse is that most of our affairs aren’t the most enticing to criminals. For now, criminals are more interested in drugs, gold, or explosives than they are in the mundane consumer goods most of us ship and receive. Today, as in the 1930s, it seems that nobody cares about such boring data as shipping receipts and airline tickets. Tomorrow, as in the 1940s, that data could cost American lives.
So y’might say I think All Honorable Men is worth reading again, yes.
Wednesday, December 7, 2022
Book Review: A Reporter's Life
Title: A Reporter’s Life
Author: Walter Cronkite
Publisher: Knopf
Date: 1996
ISBN: 0-394-57879-1
Length: 384 pages plus photo insert
Illustrations: black-and-white photos
Quote: “By the time I was six I already was taking to instant news analysis. The event was the death of President Harding.”
Walter Cronkite saw, remembered, and reported a lot of things. In this book he shares his personal take on many stories he did and did not report on radio or television, including those industries, themselves, and the production of his shows. Lots of mini-stories, many of them funny and heartwarming, some more “exciting.” As a war reporter he was allowed to fly in a fighter plane and taught to use a spare gun: “I don’t think I hit any, but I like to think I scared…those German pilots.”
He came to know many famous people well. In this book he shares a story about a former President’s marital relations just as, he claims, the former First Lady told it to him. (Hint: this was the First Lady whose hopeless voice was almost never allowed to spoil the lovely picture she always made.) Another President used to watch Cronkite’s news broadcasts and call to demand what he considered improvements. Cronkite quarrelled civilly with a sitting Prime Minister, triggered a career crisis by joking that a colleague might “already have” died in his TV show, went to Kennebunkport with the Bushes.
He'd learned early in his career to report the news in a way that seemed neutral and objective while he was biased. In this book Cronkite reveals some personal opinions: he was “conservative” about 1960s pop culture, but when it came to politics, why deny that supporters of global totalitarianism exist? Cronkite admits he was one. He still was one while writing this book.
Whether or not you agree with Cronkite’s opinions, even while airing his opinions he was still expert at finding good, inoffensive stories and telling them tersely. So his memoir is still fun to read. My guess is that, the more of the twentieth century you remember, the more you’ll enjoy reliving it with a TV icon who dominated an important part of pop culture for half of it.
Tuesday, February 12, 2019
Book Review: Will of a Tiger
Thursday, February 7, 2019
Book Review: Wings of a Flying Tiger

Amazon will try to steer you to the Kindle edition of this novel. If you have the money it's worth buying the real book.
Author: Iris Yang
Publisher: Open Books
Date: 2018
Length: 254 pages
ISBN: 978-1948598064
Quote:
"
"A war zone isn’t a place for anyone, let alone a beautiful girl like you. Those horrible things… You must have heard about some of them.”
“That’s why I have to go."
Iris Yang. Wings of a Flying Tiger (Kindle Locations 191-193). Open Books.
"
Trigger warnings: JUST ABOUT EVERYTHING that might activate anxiety, depression, guilt, rage, or grief is in this novel. It is a classical tragedy about the horrors of war. Read it when you feel ready to deal with any and all the unpleasant emotions known to humankind. Then feel cleansed, strong, and motivated to work for peace.
Wings of a Flying Tiger begins and ends with Danny, the American pilot who's taken out twelve other Japanese fighter planes before one of them takes him down too. In between chapters of Danny's story, we read mostly about Bai Moli, White Jasmine, the "tall" (five feet six!) and beautiful art student who "has to" make the trip to rescue her parents from the Rape of Nanking. Arriving just as her murdered parents' bodies begin to decompose, Jasmine becomes a sort of symbol of the city: brave and generous, tortured and violated, heroic to the end.
By a mistake the publisher sent me the second volume of a two-volume story first, so I knew that the first volume does not have a happy-ever-after ending for Jasmine. I did not guess how her story was going to end. The author has chosen to spare Danny, whom she rescues and promises to marry, and White Birch, her favorite cousin, from knowing all the details of Jasmine's story.
The year the young men really get to know Jasmine is in some ways a heartwarming one. Everyone is hiding from the war in a peaceful mountain village, full of old people and children who project their feelings for the young soldiers in their families onto the wounded soldier Danny. (Until Birch visits, the closest thing the village has to young men are two teenagers, an ordinary empty-headed kid called "Rock" and a slightly older but even dumber one called "Wood.") Most Chinese women have no formal education, a luxury only a few rich families can consider; Jasmine, Birch, and Birch's little sister Daisy speak English and Japanese as well as Chinese and are greatly respected, even though Jasmine is a shockingly modern girl who has actually touched Danny, once or twice even when he was conscious, before promising to marry him. Everyone likes their pet American "Flying Tiger." The children love his war stories, and Birch and Danny formally adopt each other as brothers. Most of the villagers have managed not to know much about what happened in faraway Nanking.
For those in my part of the world who have devoured all those stories of old China by Amy Tan, Gus Lee, Bette Bao Lord, and Carolyn See, here is that next part of the story where our favorite novelists usually tell us "And then the main characters came to America." Here is the part of Chinese history they left behind. It is not quaint and strange and very far away from the real world. It is real and dark and bitter and foul, and not something for the faint of heart to think about--except that it's what war is really like. Jasmine stays pure at heart; her fatal flaw is her unmitigated niceness; she's too good for this world. Danny accepts Birch in place of his lost buddy Jack, and might be able to accept Daisy in place of Jasmine when Daisy grows up, if Danny lives so long...what becomes of the young men is the other story readers will get in Will of a Tiger. The other characters, the nice old people, the adorable little children, poor clueless Rock and Wood...that's war, Gentle Readers. That's why war is never a good thing.
These stories are simply told, if not in "words of one syllable" at least in the commonly used words that put the books at a fifth grade reading level. That's because English is not Iris Yang's first language, not because the Flying Tiger stories are suitable for children. They're not. They contain explicit sex and graphic violence and the hatred that is part of war. Adults should read these novels if they dare, and renew their commitment to practice peace.
Buy them as new books, now, to show respect. This web site may offer them as Fair Trade Books if this web site lasts another ten years.
Thursday, May 31, 2018
Book Review: The MacLeod Place
Publisher: Coward McCann
ISBN: none
Length: 188 pages
Quote: “If they ever decide to finish that highway along the mountaintop, all these cussed up-and-down roads will be straightened out.”
And the home of seven generations of MacLeods will be destroyed. The active generation of MacLeods, Torm and Logan, were killed in The War. The grandfather, Angus, who is bringing up young Tor MacLeod, won’t have much left...
William H. Armstrong had just achieved fame with a novel called Sounder
The story naturally includes a lot of Virginia history. Angus’s explanation of “new ground” is much nicer than the way my elders described the Clearing of the Forests, though believable. His oral history of his ancestors' experience of slavery rings true. His sheep-keeping lore is informed by Armstrong’s own sheep farming experience. Angus’s history includes the often overlooked Mennonites, too; in the end the MacLeods’ friendly relations with a nearby Mennonite settlement are what save their family from emotional collapse.
As in Sounder, Armstrong’s voice can be oldfashioned and ornate. Angus feels that “time was running a fast race even at the snail’s pace of a man trailing behind a plow.” Not all of his generation agreed that Hemingway’s style was better than Bryant’s. Since my grandparents could sound like Angus, I find Armstrong’s style quaint but pleasant. It does remind me, though, that although the publishers tried to blur it into a could-be-happening-somewhere-now kind of story, this story is taking place in the 1940s; Angus’s “Pa” was running the family farm in 1859; Angus was probably born in the 1870s or 1880s, Torm around the turn of the century, young Tor about 1930.
What hurt this novel’s sales was not the perfectly appropriate oldfashionedness of Angus MacLeod, but the fact that it’s not a feel-good story. Like Sounder, it’s a protest against social injustice. Characters suffer, survive, and achieve a reasonably happy ending, but the point of the story is that the things that cause them to suffer ought not to have happened. Sounder’s Human shouldn’t have gone to jail and Tor MacLeod shouldn’t have had to give up a single corner of the MacLeod Place. The reaction of our chattering class is instructive. Sounder called out people it was fashionable to blame: those racist trash Virginians prefer to imagine living only in places like Mississippi or Alabama or big cities up North. More, more, the (mostly left-wing) chattering class cried. So Armstrong gave them a novel that calls out the greedy federal government, specifically the Roosevelt Administration so many older Virginians so loathed because stories like The MacLeod Place were true. The silence of the Literary Left was deafening.
Armstrong admits that Angus made mistakes too. Profoundly introverted and self-directed, Angus is too busy with his own work to verify that his farm is scheduled for destruction, to talk with other farmers who do or don’t want to sell their farms and determine whether a reasonable compromise would satisfy everyone (as it probably would have done). Tor, young and optimistic, wants to imagine that adults will naturally reach a happy compromise; he thinks his grandfather’s dislike of noisy motors is oldfashioned, and secretly looks forward to the day when he’ll have the right to farm the MacLeod Place with tractors. Nevertheless the greedheads in the federal government completely ignore the protests of Angus and likeminded farmers, claiming that “many” (how many?) want a highway to run all the way along the mountaintop, all through the most valued farms, where litter and petrochemical residues will wash down into all the towns below.
A different novelist might have written a longer, richer, more densely textured story with some insights into the lives of the people who didn’t join Angus’s first protest in time to make a difference. I suspect there was a good bit of Armstrong’s personality in Angus. Armstrong prefers to focus on only the one man and the one boy, with only cameo roles even for their closest friends. It works, as it worked in Sounder, because these novels were written for self-absorbed teenagers. We see why even Tor thought his grandfather’s activism was too much, too soon, right up to the moment when he realizes that in historical fact it’s been too little, too late. We’re left to fill in from our own store of understanding not only why some of the neighbors didn’t join Angus’s petition, but how Tor would have been studying at school how this whole story was exactly the sort of thing his ancestors came to America and put all that work into farms like the MacLeod Place to avoid.
Our ancestors didn’t want to be either victims or profiteers from any “law of eminent domain.” The melodrama to which that evil “law” leads should never have been dramatized in an American story. It has already been written in the history of ancient Israel (see 1 Kings 21 through 2 Kings 9, inclusive), where King Ahab, the definitive coward, having mortgaged his wealth to boost The Economy, offended God and humankind by seizing just one little vineyard, and how this led to the violent deaths of his whole family and the ultimate collapse of his country. We failed to purge “eminent domain” out of our law in the United States, and it may yet destroy our civilization.
Ironically, because The MacLeod Place is a grim wake-up call that too many left-wingers ignored, Sounder now reads like something long ago and far away, but The MacLeod Place is remarkably similar to contemporary stories like Little Pink House
Actually, buying a book from this web site gives you the right to pick other books from Amazon, of which this web site may not have been aware, and order them and post your own reviews of them here...within reason. (You could order Fifty Shades of Grey or The Turner Diaries and post favorable comments about those non-Google-approved titles here, but I'd have to edit out extended quotes or graphic details.) You could add all kinds of things to the package when you buy one vintage book from this web site.
![Will of a Tiger by [Yang, Iris]](https://images-na.ssl-images-amazon.com/images/I/41roHmgDI-L.jpg)

