Showing posts with label Ireland. Show all posts
Showing posts with label Ireland. Show all posts

Wednesday, September 18, 2024

Book Review: Her Irish Inheritance

Title: Her Irish Inheritance

Author: Michele Brouder

Date: 2019

Quote: "In order for the hospice to receive the money, you have to take the gift of the land."

Caroline Egan, middle-aged, divorced, has a career as a hospice nurse. She's planning to take it to the next level as a nurse practitioner. But of course young women, even those old enough to feel a need to touch up their fading blonde hair with henna--why else would the author tell us Caroline has bright orange hair in chapter one, then change it to blonde a few chapters later?--never know what's best for them, in the world of some romance novels. Caroline's hospice patient knows. What Caroline really needs is to take a long leave from her job and spend some time in Ireland, if only enough to sell the house. Her American ex was called Kevin, but an Irish name isn't everything. Given a few acres of land as an attraction, Caroline is sure to meet the right sort of Irishman and settle down...well, she's too old to have babies, but she'd make a good stepmother...

So Caroline, henna fading with every shampoo job, lands in Ireland with believable honey-blonde hair, and promptly bangs into a man's surfboard with her new car. How unromantic can a first meeting be? But this is a romance. Hormones conquer all

I tend to laugh at romance novels, but one thing that redeems this one is that it's realistic. Brouder doesn't drag Caroline into a horrible slum or set her in a castle. She emphasizes the middle-class, contemporary, un-exotic quality of Caroline's future home. The house needs major renovations to be sold for enough to pay for air fare. There's enough difference in her and Patrick's accents that his children giggle about her "sounding funny," but they understand one another perfectly well. Brouder describes beautiful beaches, long northern summer days, and food that's almost but not quite the same on both sides of the pond. Caroline's grandmother came from Ireland--a war bride?--so she can apply for Irish citizenship if she decides she likes the place. She does, not because she's especially sentimental about the green and foggy landscapes of her ancestral home, but because she's attracted to Patrick and his children.

Without making one of the characters a bit obsessed with being Irish and wanting to go back to Ireland, or a struggling artist or writer who wants to take advantage of the stipend for "cultural workers," it is hard to make the Irish-American-goes-back-to-Ireland-for-love storyline work. I'm no fan of heroines who need other people to tell them what they really want--if what they want is marriage and children, I like them to know that and choose their pink-collar or independent-professional-who-can-work-from-home jobs accordingly--but I can believe that...

Oh, whom am I trying to deceive here? This is a short novel that feels hastily written. It reads as if the author wrote a standard romance outline and sat down to flesh it out with precisely counted words to fit into Amazon's marketing plan. With talent and determination that writing plan can be made to work. The plot is believable. Caroline could reasonably consider moving to Ireland because she likes being a nurse and there's work for nurses there, too. She wants more distance from Kevin, she has no living family in the States; given any emotional inducement to stay in Ireland, we can see before she goes, she'll stay. It's still a fun read, about as believable as romances need to be. It could have been better.

If you wanted literary merit, you'd be reading Pearl Buck or Selma Lagerlof or Amy Tan. If you want a sweet romance with a discreet hint of passion, if you dream of going back to a modernized, middle-class, but still scenic Ireland where you might still be able to trace distant relatives and old family friends, your mind will fill in gaps with details like the henna (the book does not actually mention henna), and you will enjoy this novel and the author's other Irish-American repatriation romances. 


Sunday, March 17, 2024

Bonus St Patrick's Day Book Review: Her Great Irish Escape

Title: Her Great Irish Escape 

Author: Michele Brouder

Date: 2020

Publisher: Michele Brouder 

Quote: "Then why don't you show us the real Ireland?"

Grace is your typical American mixed breed. Only one known Irish ancestor, but that's the one from whom she got the family name, Kelly. She's gone through life hearing even the nicest people she's met say "...but your hair is dark." Marriage to somebody called Mark would have at least put a stop to that but, on the morning before the wedding, Mark bolted. So Grace grabbed a last-minute chance to join a small tour group going to Ireland. The tour bus driver mentions that castles and scenic landscapes aren't "the real Ireland" in which he grew up, and Grace, goaded by a few wisecracks of his referring to the famous Grace Kelly's movies, challenges him to show them "the real Ireland." So they go to visit the neighbors' farm and have tea with his grandmother, and Grace decides she likes him. It's a Sweet Romance. You know where this is going to lead.

The author's done a whole series of romances for people who dream not only of finding True Love but of finding it in Ireland. If you like this short book, there's an afterword listing the longer ones. 

Friday, October 6, 2017

Book Review: Dragon Song

Title: Dragon Song


Author: Anne McCaffrey

Date: 1976

Publisher: Atheneum (originally)

ISBN: (for new edition shown above) 978-0689860089

Quote: "O Tongue, give voice to joy and sing / Of life and promise on dragon's wing!"

Fair disclosure, because as a teenager I wondered why some librarians hesitated to acquire the "Harper Hall of Pern" series for teen readers: Anne McCaffrey's "Dragonriders of Pern" series got a publicity boost from a magazine less family-friendly than Analog by incorporating a trace of kinky sex. On the hypothetical planet Pern, "sensitive" people rule because some of them bond telepathically with the huge dragons that protect the planet from its greatest hazard--fungus infection from a nearby planet whose orbit passes close to Pern's for a few years in alternate centuries. Ordinary humans are married, often by their parents' choice not their own, but dragonriders, whose social status is like that of knights and noblemen in a medieval court, mate when their dragons do.

In the fictional history of Pern, the planet was settled by Space Age humans from Earth, but they lost contact with Earth and have devolved back into an almost feudal sort of social arrangement. People know how to read and write, but paper is scarce and electronic communication unknown. Messages not carried by dragonriders are transmitted by drums. Academic knowledge is preserved and passed on by Harpers, mostly in the form of jingles. "Folk singing"--as it was done in the 1970s, by educated people who had learned more songs from books and records than directly from older singers--is thus important, while symphonic music, though not forgotten, has become a pastime in which Harpers occasionally indulge.

At the period when this story begins all Harpers are male. Menolly's teacher-friend Petiron thinks Menolly ought to become an apprentice Harper but hasn't bothered to tell his fellow Harpers that his best student happens to be a girl. Once he has observed evasively to Menolly that she's tall and skinny enough to pass for a boy. Are we to understand that Harpers are so ignorant that Petiron thinks people's body shapes don't change after age fifteen, that on Pern years are longer and people's body shapes really don't change after age fifteen, or that Petiron's thinking this way is evidence of senility? No one will ever know because Dragon Song opens with Menolly singing at Petiron's funeral.

Menolly's ultraconservative parents don't want her to "presume to compose music," to continue tutoring the younger children or work closely with the new Harper when he arrives, or even to enjoy singing with the whole "Sea Hold" settlement (if her voice can be heard, the new Harper, a single man, might become interested in Menolly rather than her unmusical older sister). To keep her in her place her father beats her, her mother gives her extra chores, and Menolly will always suspect her parents of deliberately aggravating an injury that threatens her ability to play the guitar. So she runs away and lives in a cave overlooking the sea, for part of the summer...

It ends happily. Pern stories always do. McCaffrey's peculiar gift was to invent a world that echoes and exaggerates the bleakness McCaffrey found as an American immigrant in Ireland, then give characters a triumphant, Humanistic ending where each adventure not only rewards the protagonist but leads directly to progress for Pernese humankind.

(Anne McCaffrey was a Secular Humanist even before she was revulsed by the sectarian violence among so-called Christians in Ireland. Pernese people, however sensitive, creative, and empathic they credibly seem to be, never express any religion or spirituality of any kind. In that respect they seem a bit alien; when queried about that McCaffrey told the artist Jody Lynn Nye that the Pernese have evolved a different look, as well as a different mindset, than Earth humans.)

Despite the elements of science that place the whole Pern story sequence in the category of "science fiction" there is a certain ineluctable Irishness about it all. The alien menace of Thread is a sort of giant mutant sort of super-Stachybotrys mold. Pernese dragons look like enormous winged lizards, but they are warm-blooded and somewhat intelligent; for all practical purposes they're horses. The dragons' ancestors, little winged lizards with the ability to teleport themselves out of sight when strangers approach, are domestic pets, their habits often suggesting cats and at other times hens. The main characters, despite having evolved a physical type as well as a culture that would seem "different" on Earth, are still human; many of them are likable. They speak a distinctive dialect, a future-Irish-English with its own glossary of "Pernese Oaths" (Pernese people swear a good deal, invoking dragons and Thread rather than religious beliefs; "come flood, come fire" morphs into "come flood, fire, or'Fall," and so on). Menolly seems especially likable; quite a few Internet users chose screen names that identify themselves with her, and although the name "Menolly" was not being given to humans in the 1970s, quite a few McCaffrey fans have reportedly given it to their daughters. These factors make Pern one of the most plausible and (despite its bleakness during its Turns of Threadfall) pleasant fictional worlds ever invented.

One of the special charms of Dragon Song and Dragon Singer, the stories that focus on Menolly, is the high proportion of filk (fictional folk music) in both books; we're given a singable lyric as each chapter heading, sometimes another one in the text, and lots of details about how these songs are sung. It's possible that McCaffrey inspired more filk composers to write songs about Pern than any other fiction writer has ever inspired--before she observed that filkers were writing songs that conflicted with her story, and told them to desist.

Consider "There are fire lizards twined in my raven black hair, and I can't get'em loose, and they're cutting off my air"...the writer known as Ozarque, who had a strong sense of humor, clearly imagined this song being sung in the humorous-complaint-about-something-the-complainer-really-loves, mom-blog genre. Menolly, whose long hair will have young fire lizards twined in it at intervals during her adventures, and her teacher Robinton do say things that suggest such a song. But she wouldn't sing it, said McCaffrey. Fire lizards, like Pernese dragons, are very sensitive to their humans' emotions and, if their human were in fact trying to "get'em loose," they'd blink out of sight, and in any case Pernese English is derived from Irish English not Ozark English...

Right. Some fiction writers actually rely on other writers' variations on our visions; others don't want anyone else's visions beclouding our own. McCaffrey was the only person allowed to write about Pern. Filkers should stick to the lyrics in the books.

Another thing I liked about these two stories is that, despite the sex motif in the Pern books about adults, in these two stories fifteen-year-old Menolly is gloriously asexual, an old-style late-blooming Irish colleen for whom the effects of adolescent hormones are still pretty much limited to enjoying the strength and mobility that come with growing taller. I feel a need to mention this for the benefit of other authors. At fifteen, or even at fourteen, when I first read these books, I'd passed through the coltish phase into the hair-sprouting, fat-padding phase of adolescence--but I'd enjoyed the coltish phase, almost to the point of missing it, and hated fiction writers who tried to skip over it and push every girl character into a Teen Romance. The joys of adolescence are not limited to erotic moods. Teenagers also revel in feelings of empowerment. At least some teenaged girls want to identify with Menolly living alone in the cave.

Well...although it's only a feel-good fantasy story in a feel-good fantasy series, there are a lot of things to like about Dragon Song. That's why there have been so many editions and the vintage copies, like the one I have, are becoming harder to find. Amazon isn't even showing the edition I have for resale in real life, although a truncated version of the cover painting was used on the cover of this audiocassette version:


For those who don't like the new editions of the Harry Potter books where Hermione is drawn as Black...I don't think that's necessarily a racist reaction. As an adult who read the printed books before the movies, I expected "Hermione Granger" to resemble...


Hermione Gingold; 1950s photo donated to Wikipedia By Estudiontin - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=22004886

Young people who saw the movies first can't be blamed for thinking Hermione Granger ought to look like Emma Watson, even if the books do mention Hermione's frizzy hair...

No frizz problems for Emma Watson in this photo donated to Wikipedia By Emma Watson GoF Premiere.jpg: Zaheer12aderivative work: Paris 16 (talk) - Emma_Watson_GoF_Premiere.jpg, GFDL, https://commons.wikimedia.org/w/index.php?curid=7324471 .

And I think, although the very first edition showed a generic startled-looking face that was obviously a cartoon, Menolly really looks like the picture on the first paperback edition and audiocassette cover--so who's that character on the new book cover? I mention this by way of warning. The Pern series is, like the Harry Potter and Sherlock Holmes series, the kind of fiction that sucks readers into the illusion so intensely that we become attached to our mental images of what unreal people would have looked like if they'd been real. Beware. Beware.

Unfortunately Anne McCaffrey is no longer able to sponsor a charity through our Fair Trade Books system, but the whole Pern series was popular enough and has been out long enough that, so far as I know, any book in this series is available at our minimum price of $5 per book, $5 per package, $1 per online payment. The Harper Hall Trilogy (volume one about the harper girl, volume three about the drummer boy, and in volume two they bond as friends not a couple) is pocket-sized. You could fit it and the adult Dragonriders trilogy and another paperback from the series, or even two, into one $5 package, which makes this web site's pricing more competitive than Amazon may initially suggest.

Friday, October 7, 2016

Book Review: Irish Art

A Fair Trade Book

Title: Irish Art


Author: Bruce Arnold


Date: 1969 (Ireland), 1989 (U.S.)

Publisher: Thames & Hudson (U.S.)

ISBN: none

Length: 176 pages plus index

Illustrations: many black-and-white photos, a few color

Quote: “There is a widely held fallacy that Ireland’s contribution to the art of the world has been almost exclusively in the realm of the written word. This book is an attempt to prove otherwise. For example, it is difficult to say which of the two Yeats brothers was the greater artist, Jack the painter, or William the poet.”

This introductory paragraph appears facing a painting by Jack Yeats, and…well, in a word: William. But most of the artists represented here, known and unknown, do seem to have been trying to achieve more than just distinguishing themselves by painting recognizable things in a sloppy fashion. There has never been anything “original” about daubing paint into a sloppy-looking picture, though it’s probably true that only certain well-connected persons, only at certain periods in history, have ever succeeded in getting their daubs hung up on walls. I did things similar to that Yeats painting with my watercolor box at age twelve but I think I had enough public spirit to burn all of them.

Any book that tries to summarize two thousand years’ worth of visual artwork in 176 pages is necessarily going to be somewhat breathless. This book is an overview. We whir rapidly past ancient stone and metal carvings, trace their influences on the masterpieces and the doodles with which Irish monks “illuminated” the religious texts they spent days copying, move on through architecture, and then suddenly we’re looking at drawings and paintings of then-living people. Irish Renaissance portraitists produced portraits very similar to those being painted in England and Europe at the same time.Realistic landscape paintings appear in the eighteenth century, along with paintings that illustrate stories.Toward the turn of the twentieth century the abstract designs and the merely sloppy or ugly paintings appear, as they did in art galleries around the world, and in 1969 this sort of thing was still taken seriously. Several paintings by Jack Yeats are included, most better than the messy-looking thing used in the introduction. The reader’s reward for persevering past the introduction is this proof that the other Yeats brother did have a real talent.

On reading this short book I’m inclined to observe that more, and more attractive, images of Irish or Celtic Art appear in the how-to books about Celtic crafts, like knitting and basketry. However, that’s one reader’s reaction. Arnold’s intention here is to present a very hasty overview, in an affordable, easily carried volume, of all the different types of visual art found in Ireland, with at least a few pictures for every possible reader to enjoy. At that I think he succeeds. There are enough different pictures in this book that every reader has to like some of them.


If more of the paintings were reproduced in color, and at least 8x10” instead of the 1x2” to which many of the black-and-white reproductions have been shrunk, this would have been a more inspiring book for art lovers and crafters to browse through. It would also, of course, have been a bulkier and more expensive one. You pay your money and take your choice, as they say. This is a book for tightwads.

It's a Fair Trade Book. If you buy it here, for $5 per copy + $5 per package + $1 per online payment, we'll send $1 to Arnold or a charity of his choice. (To discourage spammers and hackers, those paying online need to e-mail Saloli the Message Squirrel, whose address shows at the bottom of the page, for the correct Paypal address. U.S. postal money orders can go directly to the post office box shown at the bottom of the page, and don't need to include a surcharge for online payment, since the post office will collect its own surcharge from you. Thus, for one copy you'd send a total of $11 via Paypal or a $10 money order; for six copies you'd send $36 via Paypal or a $35 money order. You could also order several different books in one package, as many as would fit; clicking on "A FAIR TRADE BOOK" at the bottom of this post will open a list of other Fair Trade Books you can buy here, but you're not limited to books I've reviewed--if Amazon sells it, we'll sell it.)

Tuesday, February 16, 2016

Book Review: The Peep Show Man

(Blogjob tags: drawings by Lois Lenski,Irish folk talesIrish short storiesIrish writing in Englishmoral fables told by Catholic priests,nineteenth century entertainmentPadraic ColumPooka.)

Title: The Peep Show Man
(If you click on the picture, you'll open the Amazon page where you can buy a copy directly from MW Books. I get a small commission for that, too.)
Author: Padraic Colum
Date: 1924, 1938
Publisher: Macmillan
ISBN: none
Length: 65 pages
Illustrations: partly colored drawings by Lois Lenski
Quote: “It was not a bad thing that the Pooka did when he carried off the twelve silly sisters...”
Down, unclean thoughts! Before movies were invented, the Peep Show Man was usually an honest entertainer who told wholesome stories about the pictures inside his box. Sometimes these were just drawings or dioramas; some Peep Show boxes contained devices that made pictures pop up or seem to move. These must have been quite a novelty at the time, if the old rhyme about “Ask your mothers for fifty cents to see the elephant jump the fence” is historically accurate—fifty cents was a lot to spend on entertainment. It was only after every community had a movie theatre that “peep shows” began to be limited to the kind of images Hollywood didn't allow in movies.
In this slim book the Peep Show Man tells three fairy tales, all reasonably wholesome, although the first one may be a pretty way of explaining that the Peep Show Man became a travelling entertainer because he doesn’t get along with his wife. The second tale is about the Pooka, or faerie horse, and the third is the sort of Catholic fable that used to be told as facts by priests in the Dark Ages.
All the stories are, of course, set in Ireland, and told in the way English-speaking Irish people heard their dialect—no misspellings, but several examples of the quirky syntax early twentieth century Irish English inherited from Irish Gaelic.
There are bigger and prettier collections of Irish tales, but Padraic Colum’s fans must have this one. I think the stories are his own original imitations of traditional tales. My copy of the book is in good physical condition for its age. Lois Lenski won many awards for her unique, slightly cartoonish drawings, and her fans will want The Peep Show Man too.
This is a vintage book and is available only at collector prices. Although the copy I physically own is locally available for a lower price, for online sales I'll have to charge $15 per book + $5 per package, for shipping, + $1 per online payment. However, "$5 per package" means one shipping charge applies to anything else I can stuff into the package, which should include two or three more books.
 

Friday, July 17, 2015

Book Review: 'Tis

Title: 'Tis

Author: Frank McCourt

Publisher: Scribner

Date: 1999


Length: 367 pages

Quote: “When the MS Irish Oak sailed from Cork in October 1949, we expected to be in New York City in a week. Instead, after two days at sea, we were told we were going to Montreal.”

Nevertheless, Frank McCourt found his way to New York City. This is, by and large, a factual memoir, although details have been changed. It's the classic immigrant story: clueless penniless youth comes to America, gets hard work for low pay, suffers, gets breaks, gets better jobs, becomes able to support his family, and eventually becomes at least semi-rich and semi-famous as an author.

McCourt's better known book, Angela's Ashes, was sometimes criticized for being too rough and raw. There's some coarseness in 'Tis, too, although nothing likely to bother anybody who grew up reading Judy Blume: “for once in my life I resist the sin and turn on my side and go to sleep,” “The great Boss presses the button for the elevator and while he's waiting he shoves a finger up his nose,” “a man sitting next to me...slips part of his raincoat over my lap and lets his hand wander under it,” “The glug I drank is making my stomach turn and I try to rush to the street but the door has three locks,” “what we're gonna do when we get out of the **** army,” are five less than tasteful bits that pop up as I open the book not even five but four times at random. Two of them appear on facing pages. This is not an erotic book but it is gritty, sparing no possible quotation of a rude word or reference to a tasteless detail; it's gritty in the peculiar way people write when they've been given permission to mention things somebody once told them not to mention, and so those things stand out more vividly in their minds than the things a writer of my generation would be likely to notice while observing the same scene. Let's just say that, of the two, I'd be more interested in the style of dress Billie Holiday wore during one of her last performances, not even to mention the songs she sang, than in the profanities somebody used to critique the performance. By and large it was the generation before my own that found it “liberating” to quote profanities and describe vulgarities. McCourt was one of the last of that generation, so perhaps we should forgive him.

Maybe it's because I don't have that kind of potty-conscious memory that, on the whole, I read 'Tis as a cheerful, inspirational story. The boy who grew up to be Frank McCourt was ill, recovered, served in the U.S. Army, worked his way up to teaching and then writing. After I finished the book and laid it down what stood out in my mind was not the icky little details so much as the ultimate success of McCourt and his family.

So, if you either are sufficiently “liberated” from taboos that your only reaction to the naughty thoughts in 'Tis will be “Why is he telling us this when some other detail would be more interesting,” or are still working to break through the emotions associated with “Ohhh, he shouldn't have mentioned that” and feeling a bit more liberated because he did, you will probably enjoy 'Tis. Just hide it from any children you know who might be going through that stage where it still seems terrific fun to recount a gross-out--"But it's in that book by that famous writer!"--at dinner.

McCourt no longer needs a dollar, so 'Tis is not a Fair Trade Book, but if we can ship it together with a Fair Trade Book in one package we can consolidate the cost of shipping. $5 per book, $5 per package, to either address in the little box at the very bottom of this page.

This is a blog, so I'd like to take this opportunity to get bloggy and thank a customer (from the hack writing site) for mentioning that every single page on a web site that sells things ought to contain the seller's contact information. And, if it changes, the contact information should be updated throughout the site. A lot of things that should be on a commercial web site just aren't on this site. Paypal buttons, e.g. I tried putting them here, then realized that they weren't going to work from public-access computers or computers like the Sickly Snail, which is most of the computers I've used and very likely most of the ones readers use too. Botheration. But I checked and found that Blogspot does offer a free widget that puts the contact information on every single page and allows it to be updated across the whole site. Lovely. I hope this information can be useful to the other Blogspot bloggers who, according to the computer, really are surfing around Blogspot, apparently to see how or whether this system is working for other people since their last posts to their own Blogspot blogs were made in 2013.

Tuesday, June 9, 2015

Book Review: Stalking Irish Madness

[Apologies for posting these reviews from a computer that can't open Amazon. I'll come back and insert the links when I can.]

A Fair Trade Book

Title: Stalking Irish Madness

Author: Patrick Tracey

Author's website: stalkingirishmadness.com

Publisher: Bantam

Date: 2008

ISBN: 978-0-553-80525-3

Length: 257 pages of narrative, 6 pages of references, 9 pages of index

Quote: “The notion that madness had favored the Irish had been kicking around since the 1850s... between 1817 and 1961, no other nation had produced, in proportion to its population, so many... conditions we now call manic depression and schizophrenia.”

According to his research, Patrick Tracey reports, full-blown schizophrenia is shaped by a combination of up to sixteen genes. Even in his family, in which that combination runs, few people really get that disease—which Tracey describes in vivid terms that leave no room for confusion with ordinary mood swings, or even with “manic depression” (now more often called “bipolar disorder”), which is relatively common and treatable.

Neither schizophrenia nor bipolar mental illness is particularly Irish, although genetic gluten intolerance is, and gluten intolerance has been documented both to aggravate and to accelerate the progress of mental illness. Most celiacs are not schizophrenic, but in one group of schizophrenics studied, one-third were celiacs. Being an Irish-American celiac, I was eager to read this book, after seeing it reviewed on Associated Content; I was disappointed that Tracey does not discuss whether his schizophrenic relatives have gluten intolerance or any other food sensitivities.

“Genetically speaking,” Tracey says, “the Irish are no more at risk than any other people. But in their darkest hour” (during the nineteenth century potato famine) “their rates of insanity were pushed to extremes.” Starvation obviously produced extreme physical stress, accentuating any mental illness to which people were genetically prone, and producing emotional “breakdowns” in people without genetic predispositions to mental illness.

What was uniquely Irish about the schizophrenia that runs in families like Tracey's is the colorful folklore that only the Irish mind could spin around it. These people attributed the effects of gluten intolerance to “hungry ghosts” that attached themselves to patients and devoured the nutrition in the food the patients ate. Likewise, schizophrenia was attributed to the Faeries, who took fancies to mortals and, when they carried off those mortals to be their consorts or slaves, left things that looked like humans but weren't to take their place; schizophrenic, autistic, or even deaf-mute people were suspected of being these not-quite-human “changelings.” Or, according to an alternative story, the families that were prone to schizophrenia were descendants of people who had offended a particularly powerful wizard.

You might think people would have been more interested in curing a disease than in inventing explanations for it, and although no real cure for schizophrenia has ever been found, the taletellers did try. There were said to be wells whose water might relieve mental illness, if a person was lucky. St. Dymphna was said to intercede on behalf of the afflicted, although she obviously lacked the power to cure full-blown schizophrenia, for which patients are now treated (though not really cured) at hospitals dedicated to the more powerful Sts. Brigid and Patrick (and at hospitals not officially dedicated to any saint). There were also said to be places where people might “see the Faeries”; seeing them was usually considered likely to cause schizophrenia (and may have been a symptom of it) but some people hoped the Faeries could be persuaded to reverse the exchange of human and “changeling.”

Tracey begins his narrative with a pilgrimage to one of the caves (or graves—in Old Irish the same word meant both, probably because the same places were both) associated with schizophrenia, then backtracks to describe the symptoms of his relatives' peculiar form of insanity. Schizophrenia is not to be confused with the ordinary symptoms of mood disorders or brain damage. If it could be confused with anything, it might be confused with a drug reaction.

There are, Tracey mentions near the beginning and again near the end of the book, people who've been diagnosed as schizophrenic who “manage their illness.” It's not perfectly clear whether these people really have the same disease that caused Tracey's grandmother to demand that a dentist extract all of her teeth at once, or caused one of his sisters to attack a family friend with a knife. Hallucinations can be induced by less serious damage, often to specific nerves, than schizophrenia does. It is possible that some people who seem to be “managing” schizophrenia are actually living with milder neurological dysfunctions.

Tracey's interest in Ireland is not too sentimental to include a keen interest in the country's economy—starvation was, after all, the big trigger for “Irish madness.” “It's not my ancestors' Ireland,” he reports, “with construction cranes everywhere...Tara Hill...is having a four-lane toll road built through its valley...The Irish...are parking their money abroad, positioning themselves even as...absentee landlords...[P]roperty speculation has been called the new pornography.” There are “more single than married adults, many more new cars bringing ever more road deaths, and people...killing themselves in record numbers.” “The Irish seem so alert—so switched on--” and yet, “Punching the radio buttons, we land on...an ad for a group that calls itself Schizophrenia Ireland...offering a hotline number...I flick the station and the Gnarls Barkley summer chart topper, “Crazy,” is on the air. For a moment, I wonder if I'm going mad.”

But economic prosperity can do only so much. Ireland was a small inbred island nation for a long time, and nurtured several less than functional genes along with its rich culture. Tracey meets a stuttering hunchback, “the incredible human tortoise,” who reminds him of the nineteenth-century stereotype of “the Irish lunatic,” although the old man seems sane. This old man, and other people in Ireland, seem to Tracey to fit “the contradictory image of the Irish as friendly and hostile, cheery and angry, happy and melancholic.”

“Melancholic” originally described an intensely emotional personality, not a depressive one, as our e-friend TIM LAHAYE has done so much to remind American Protestants; if you are, or know, a creative “melancholic” Highly Sensory-Perceptive person, “friendly and hostile, cheery and angry, happy and melancholic” makes sense. The HSP trait is not especially Irish but Irish lore and literature celebrate it more than the lore and literature of some other cultures. Tracey, apparently not HSP or related to HSPs, disappoints me further by not discussing the current status of the HSP trait in Ireland, although in a way this may be good for HSPs, highlighting the absence of any link between HSP and schizophrenia. (Some HSPs are bipolar, though, and others are mislabelled as bipolar.)

Tracey contrasts the booming (or bubbling) economy of modern Ireland with the economic misery his ancestors left. “Crops rotted, rents fell behind...a million Irish died of starvation, typhus, cholera and dysentery...The Irish didn't starve for lack of potatoes, they starved for lack of food generally, and there was plenty of that taken out by British guards and sold off to the rest of Europe.”

He's looking for relatives and for memories of his ancestors, but since his Irish ancestors died before anyone now alive was born, he doesn't find much. “You're not the first Yank to come looking for relations,” one person living near the site an ancestor left tells him. “You'll have to tell me their first name, and then you'll have to tell me what business you're going there on.” Professional storytellers used to earn their living on the streets, so Tracey imagines one “leaning toward the hearth and telling me a tale of our lunatic ancestors,” but “It didn't turn out that way, exactly.” What's available by now are old lists of names, and even when he knows an ancestor's given name he can't be sure which of two or three people listed by that name in an old record book might have been his ancestor.

He researches what might have become of ancestors who were schizophrenic. Although the disease, which always develops early in life and often pops out without warning, appears to be uncomfortable enough for patients, “treatment” for schizophrenia has generally appeared to be even more uncomfortable. Prior to the eighteenth century, schizophrenics might be put in jail, “confined for weeks without benefit of exercise” until “some lost the use of their atrophied limbs.” Before that, “sometimes the family lunatic was kept in a four-or-five-foot hole dug underneath the floorboards, or, worse, in the pit in the outhouse. The pit was kept shallow so he could not stand erect, making him easier to control.” While Michel Foucault had suggested that the incidence of “confinement” of Irish paupers to asylums might have been inflated to suppress protests, Tracey finds evidence that the asylums were comparatively comfortable places, where patients were at least provided with beds and oatmeal, and an asylum inspector reminded his subordinates not to waste beds or food on “pauper cases of harmless idiocy” but to reserve them for the violently insane.

He visits the Glen a Galt, where water from a local stream was said to cure insanity, and learns that there just might have been something in the story: “Some persons...got it analyzed, and they said there was a very high content of lithium in the soil.” Lithium is commonly used to relieve bipolar mood swings today. Tracey feels somewhat relieved by this discovery (“I feel my drum beats in time with the Irish now”), even though his schizophrenic relatives are beyond hope of cure by lithium.

He also contacts a “Hearing Voices Network,” where he's told that “as many as 10 percent of the population has at some time perceived sensory input when no stimulus was present.” (A few years ago, a discussion on Live Journal showed that this might be partly due to confusion about the difference between thinking-in-words, as opposed to thinking-in-pictures, and hallucinating “sensory input” that seems to come from outside the individual's mind.) For most people, of course, “hearing voices” is still an occasional experience “and those voices tend to be less disturbing.” True schizophrenic hallucinations are “cacophonous, discordant,” and hard to filter out of consciousness...raising the question, once again, whether those who stop taking drugs and “accommodate” or “accept” the voices (and other hallucinations) are those who really have different, more mild disorders. However, one patient “devotes time each day to sitting relaxed and listening to his voices,” apparently preventing sensory overload that causes the voices to “play tricks, knocking down perceptual expectations, plunging him into the dimension-swirling zone.” This wholistic treatment seems unlikely to work for Tracey's schizophrenic relatives, but it offers hope for less severely afflicted people.

Before leaving Ireland, Tracey finally finds a distant cousin who admits that one of her nine siblings was also schizophrenic. About all he's able to tell us about his schizophrenic distant relatives is that finding them puts a sense of closure on his journey and his book. He does not go into detail about the complex of genes suspected to be involved in schizophrenia; perhaps, at this stage of DNA research, it's better that way. He leaves Ireland with what seems to be more of a sense of indignation about the abuses the entire country has suffered, in the past, than any information about the prevention or cure of “real,” disabling schizophrenia.

Although he's chosen a topic that's inherently not fun to read or think about, Tracey is a skilled writer, and Stalking Irish Madness is more pleasant to read than you might have expected. It's recommended to anyone with an interest in psychiatric conditions or in Ireland. It's not especially satisfactory to people with a more general interest in DNA studies or in the various other genetic quirks that are associated with Irish ancestry; Tracey's not reporting on those topics in this book.

I wouldn't expect Stalking Irish Madness to interest anyone below the age of fifteen, but neither would I expect it to do much harm if the kiddies did see it. Schizophrenia does tend to be identified by melodramatic episodes; Tracey presents this information in about as informative, non-sensational a way as it can be presented. Foul language is occasionally quoted. One of the traditional diagnostic criteria for schizophrenia is that true schizophrenics tend to become asexual (this was why Freud thought that at least acknowledging heterosexual instincts, even if a person sublimated them, was crucial to mental health) and, fittingly, there's almost no overt sex in this book—the love interest here is family love. I would share this book with a twelve-year-old if the twelve-year-old was genetically at risk of developing schizophrenia.

Otherwise, this is pretty much a special-interest book, likely to interest and not offend the minority who are interested in it...and now you know what's in the book and whether you're in that minority or not.

Fair Trade Books are (as regular readers know) secondhand books offered for sale online at prices that allow us to send 10% of the total price to the author, if living. If you send salolianigodagewi @ yahoo.com $5 for one copy of Stalking Irish Madness  + $5 for shipping one package, we'll send Tracey or the charity of his choice $1. If you want four copies of this book, send us $25, and we'll send Tracey or his charity $4. Of course, it's also possible to order different titles and, as long as all the books fit into one package, you pay only $5 for shipping but the authors of each Fair Trade Book offered for $5 receive $1 per copy. You might find a lower price at another web site, but, so far as we know, this is the only web site that supports writers by sending them payments when we resell secondhand books.

Monday, June 24, 2013

Obama Rebutted in Ireland

Warning: Although this video playlist is in English, it comes from a foreign country and is not constrained by any loyalty to the United States whatsoever. I was able to watch about four minutes of the video; I can't hear what the speakers are saying (because I'm at a public computer center where I have to mute the sound). I don't know these people, their background, how well they understand American Democracy or what sort of alternatives they're offering to the ideas they reject. Nevertheless, on some ideas they do seem to agree with this web site...

http://www.youtube.com/watch?v=8SX58vqcEU0&list=PLfrlsC1yJ2dRhut7y3j3eFSRzJnJpXuBz