Title: Familiar Faces
Author: Mary Roberts Rinehart
Publisher: Farrar & Rinehart
Length: 310 pages
Quote: “[T]he letter...was sent to
him at the State Department, where Tony was something or other in a
division called Protocol; that is, he helped the governors of states
to lay wreaths hither and yon.”
Mary Roberts Rinehart was one of the
most popular American authors of the early twentieth century. Back then it was
fashionable to sneer at “women writers” and insinuate that her
success was due to family connections (which undoubtedly helped). The
serious literary historian must, however, credit Rinehart with other qualities that are important to a professional author. She
wrote everything—mainstream fiction, mysteries, comedies, travel
memoirs, reportage. She knew her audience, and wrote with due respect
for them. None of her dozens of books won a Pulitzer Prize or was
hailed as The Great American Novel. But if you like mysteries, you
probably will like hers, even today, and if you like comedy you'll
probably still enjoy her protofeminist character “Tish”...I love
Tish. Tish was a sort of fictional model for my real “Aunt Dotty,”
who grew up during the years when the five volumes of Tish's
adventures were bestsellers. Always a perfect oldfashioned lady, but
never a dull moment.
I'm still looking for Rinehart's travel
memoirs, which have become hard to find. I'm a bit disappointed that
Familiar Faces is merely a
collection of unconnected mainstream short fiction (and doesn't even
have Tish in it).
I
personally don't like
short fiction. We get the hope that Tony in the State Department has
learned something valuable from his grandfather, but we don't get to
see what. We get the hope that the husband whose wife feels haunted
in his mother's big old house has come to appreciate his wife, but we
don't get to see him doing it. And so
on. However, for those who do like short fiction, Familiar
Faces was a box of delights; one
short story after another, some creepy, some funny, some
heartwarming, all done well according to the rules of the genre.
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