Merry Christmas, Gentle Readers! I'm not physically online, and I don't imagine you are either, so Christmas Day may be a good time to discuss a book that's considerably more explicit than I usually discuss here...
A Fair Trade Book (congratulations!)
Title: The Compleat Lover
Author: Derek & Julia Parker
Date: 1972
Publisher: Mitchell Beazley (UK), McGraw-Hill (US)
ISBN: none
Length: 256 pages including index and image credits
Illustrations: many, including original color photos of the
authors
Quote: "While the poems and paintings we have chosen
form a personal anthology of our own favourite pieces...they come as near as
any human utterances can come to expressing 'the life force', the
extraordinary, delightful and infinitely complex phenomenon of love."
Well, it was 1972. The Parkers had written a book called The
Compleat Astrologer and wanted...more money, likely, from an international
"seller." Why not revive their romance by writing a book about that? "[W]e incorporate a gentle guide to the discipline and understanding of
the body," they promise in the introduction.
The result is not a book of pornography, although it does
contain a few nude images. It's meant to be an erotic guide for couples--although of
course the problem with erotica is not keeping it away from the people who
don't need it, but predicting whether it will serve its purpose for the people
who do. If you remember the early 1970s as an exciting period, I can say
that this book will be an exciting nostalgia trip. Beyond that, who knows. A
sequence of full-color paintings of people who look as close as the artist
could make them to the photographs of the Parkers, on the inside jacket flaps,
does nothing for me but undoubtedly was great fun for the Parkers.
A sequence of psychological "games" at the end may
encourage some couples to understand each other better, or discourage others
into imagining that someone else might understand them more easily. This is
not, of course, a discussion of the manipulative Games People Play to
get their own way without admitting it; it's what U.S. magazines usually call
"quizzes" about what each person prefers. Results are predictable and
intuitive--and not scientific at all. Some couples who seem perfectly
compatible split up; some couples who seem altogether incompatible, and don't
spend much time together, have successful long-term monogamous marriages.
People who don't have enough in common to be best friends and working partners
to each other sometimes seem to keep romance alive by intentionally being
exotic and alien to each other.
The Parkers' taste is bland, nice, and specifically
British--there are a couple of images from India, many from medieval England,
and a majority from modern England. Everybody isn't blond; there is a sequence
of "stages of love," from youth to old age, where every young person
even in crowd scenes has red hair. (Derek Parker, at this stage of his life,
has black hair.) Everybody has fair skin and, except for one drawing from
India, European-type faces.
The Parkers acknowledge that at many periods of history, as
C.S. Lewis mentioned in The Allegory of Love, romance and marriage were
perceived not only as separate but as opposed to each other. Seeing that
romances tend to fade, many cultures have favored contract marriage with an
emphasis on uniting families and producing heirs. Often this led to an
understanding of "love" as an excuse for adultery rather than a part
of marriage. Love between wife and husband was expected to be a matter of
loyalty and public spirit, not passion.
Since people have realized that passionless marriages were
promoting prostitution--well, actually there was an argument that, when young
men were killed in war, prostitution offered some benefits to young women who
couldn't find husbands--and that prostitution was promoting sexually
transmitted diseases, there has been a preference for marriage at least to
begin with passion. Hence the market for books whose purpose is to revive
passion, to help couples stay together. It's a valid purpose and, in
discouraging teenagers from poring over erotic material, adults don't need to
pretend that we'll never need to make a conscious effort to interest ourselves
in what still interests our Other Halves. Our day is likely to come, and those
who denigrate the effort are likely to be those who failed in it.
That said, a distinction can then be made between affiliative
and counter-affiliative erotica--the kind you share with your wife or husband,
and the kind you hide from him or her. The Parkers have, I think, made a
genuine effort to ensure that this book would be affiliative for everybody.
More words are addressed to the female (remember, in 1972, psychologists
assured us that everyone would really be heterosexual if their emotional
problems could be straightened out!) and more images chosen to appeal to the
male. The emphasis, as they say in the text, is always on tenderness. If men in
pictures are carrying women about, the women are obviously enjoying it. If an
eighteenth-century "swinger" is portrayed kicking off her slipper for
one man to catch while another man is pushing the swing--oh, obviously to any
British reader, raising an arm would spoil the charm of the upper class (sweat
stains would show), so the chap pushing the swing is an employee who doesn't
care what the young couple do. If people are moving away from each other,
they're looking over their shoulders. No frustrations, no perversions, no
kinks.
Most of the people are not, to my eyes, attractive. I think
this, too, is by design. A nude woman is bottom-heavy, with such undefined
"abs" that you wonder if the woman is pregnant. A nude man is less
than halfway to the stage at which most men prefer to be seen naked. Most people
have their clothes on. There's a sequence of images of skin, in such soft focus
that although the skin seems perfect it's not immediately clear which
part of a body it covers. The pictures seem to have been selected with an
intention of not making any forty-year-old spouse feel insecure. Whoever
you are, you give more pleasure to the eyes of anyone who shares this book with you
than these pictures do.
Apart from the mere idea of an erotic book, or a book that
was erotic for someone else, what I find not to like about this book is the
emphasis on eroticism in a book about "love." "Tenderness"
and appreciation of the body seem to me to belong in the category of sex, not
love. In a book about sex as such, an emphasis on mutual appreciation and
enjoyment is nice. In a book that claims to be about love, the elements of
self-sacrifice, commitment, loyalty, patience, and prudence deserve their share
of emphasis; in this book they don't get it.
I find this unrealistic. Love is not the physical sensation
that nature supplies liberally to the young, dreaming or waking, coupled or
alone. Love is the bond that sharing that sensation can help to form between
two people. Of course cuddling up with him or her feels nice--cuddling up with
anyone who doesn't disgust a young person always feels nice. Hormones can make
music we hear with him or her more than music, and bread we eat with him or her
more than bread. I may be nitpicking here, but for me, it's when hard work we
do with him or her becomes joyous work, and sitting up with sick relatives with
him or her becomes tolerable, that we can call our attachment to the person
love. Because shallower definitions leave us to conclude that even happily
monogamous adults have, in youth, "loved" dozens if not hundreds
of people, not all of whom we necessarily ever met, and many of whose names
we've forgotten if we ever knew them. Advertisers have always known that
putting an appealing face in an ad makes nagging and begging more than nagging
and begging--the whole concept of TV commercials rests on this well documented
fact--and yet, although the "attractive" faces ameliorate the annoying
quality of the commercials, what we feel for the models in TV commercials is a long
way from being love.
For me, personally, the only erotic effect this book has
would come from reading it as half of a couple. Possibly if it had come from my
husband's collection it would hold memories. Since it came from a truckload of
books I bought for resale, well, it'll be easy to resell to any married person
above age thirty who asks for it. It will not be displayed.
Since the book won't be displayed, I should reiterate that although
it's not suitable for displaying on a coffee table it's the sort of object
that's described as a coffee-table book. Those 256 pages are mostly the kind of
thick, slick paper that can be printed with color pictures on both sides. The
content is certainly "light" but the book will be "heavy,"
even exhausting, to read in bed. Only one book ($5) will fit into one package ($5) for a total cost of $10 by U.S. postal money order, or $11 by Paypal.
However, one fun fact about the Parkers may give their book a special redeeming value. They're still married. They're still practicing astrology together. Their book may be a celebration of romance more than love, but they do, in fact, know something about love.
No comments:
Post a Comment