Thursday, August 31, 2023
How Should Companies Speak Out on Social Issues?
Wednesday, August 30, 2023
New Book Review: Humphrey and Me
The Weirdest Thing I Loved as a Child
Tuesday, August 29, 2023
Eyeballs
Here's a link: http://ballastexistenz.autistics.org/?p=110
It’s one reason why it’s generally good for people living in a pluralistic world to think consciously about the rules for eye contact we’ve learned, which seem so basic and so important to us, and the possibility that other people feel equally attached to different ones.
There are others. This post fascinates me partly because I was steered to it (by rozasharn.livejournal.com) right after checking out another link, to a post where Brad Hicks said among other things that “those of us on the autism spectrum are the ones who absolutely must repeat certain behaviors in a certain way and in a certain order every time.” That’s one major difference between their neurological wiring and my “more typical,” dyslexic wiring: if I repeat behaviors in a certain way and in a certain order every time, my dyslexic brain starts throwing in mistakes just to fend off the boredom. I think this insight does a lot to explain why, despite benign intentions, I don’t relate well to autistic people; just as, being an ear person, I don’t relate well to deaf people. It’s a kind of disability on my part, not theirs. Don’t ask me to work with them, anyway.
My astigmatism gave me a different experience with heavy eye contact as a means of communication. I don’t have a need to repeat things in a certain precise way, so I’m not thrown off balance by the mobility of eyeballs.
I can stare into people’s eyes. On a date I’ve even been known to find it romantic to stare into the right pair of eyes.
That may be one reason why I’ve felt more often punished than rewarded for staring at people’s eyes long enough that I actually see the eyes.
When other people have presumably felt that they’ve “made eye contact” with me, they may depend on this: While they were forming their first emotional reaction to my eyeballs (“just staring, no reaction”) I wasn’t seeing even the color of their eyes. During those seconds my eyes were focussed at a different distance. I was looking in the direction of their faces and seeing a blurry blob of face-color. By the time I was actually seeing details like eyeballs their eyes were usually reflecting a hostile judgment based on the fact that they'd pulled their faces into some sort of "expression" that I didn't see.
Astigmatism isn't going away, so if you have good vision when you take time to focus your eyes, your goal becomes avoiding live conversation with eye thinkers.
Except if they were young men. Young women’s bodies do a certain amount of communicating with eye thinkers for us. What young men picked up, and still do, from my body shape alone, was “BODY!!!!!!!!”. If I added the prolonged eye contact I need to see the eyes, on top of that, what their eyes were reflecting would probably be “SHE WANTS MY BODY TOO!!!!!!!! WHEN? WHERE?” I didn’t, so why bother with that? Of course in some cases other complications could make it more like “EVIL FOREIGN SLUT IS TRYING TO SEDUCE ME!” I didn’t need that, either.
Fortunately, when the reptilian brain of the weaker sex is overwhelmed by the concept of "BODY!!!!!", the message it picks up from lack of eye contact is "She doesn't want my body...yet. MUST TRY TO MAKE A FAVORABLE IMPRESSION!!!" As a young single woman I generally got along very well with men. Then as a married woman I let my husband deal with them. Now I just try to identify and avoid talking to the eye thinkers, the same way I do with women.
I believe my having learned to minimize eye contact (and go through life without knowing what color most of my acquaintances’ eyes are) may have saved my life. My Indian adoptive brother had clued me in that in Muslim countries holding eye contact and smiling at someone of the opposite sex is likely to be understood in what most Americans would call the wrong way. I advertised odd jobs and would work anywhere. One evening I did some typing for a student from Iran. He was polite; I might have been his aunt. At twenty-four I was not yet an aunt and wasn't used to being treated like one, but I liked it. He paid cash. I left his apartment complex with a favorable impression of him. On the way home another young man grabbed my arm. I made a scene; flashing blue lights appeared; the young man grabbed my bag and fled. Police returned the bag, minus the cash, early the next morning. Later a police officer called to suggest that I might want to watch the evening news. Apparently an Iranian living at the polite student's address had been identified as the serial murderer police had been hunting down for two years. (The student had mentioned a roommate...) The murderer had arranged for women who advertised jobs to do some work at his flat, paid the ones he regarded as honest workers, and left the remains of the ones he considered slutty in black plastic bags near dumpsters.
So I’ve been glad that, in my family when I was growing up, eye contact was optional. Mother was the one from whom I inherited my astigmatism. Dad didn’t have it, but when we children picked up “Look me in the eye and say that” routines from school his comment was, “Brutus looked Caesar in the eye and killed him. Don’t ever think you can trust people just because they look you in the eye.” And at school I read about one of the studies that showed that some people did better at spotting some kinds of lies in phone conversation than in face-to-face conversation. As an ear thinker I’ve always felt that more can be said, and accurately interpreted, without the distraction of eye contact.
So, whatever eye thinkers may think about me, they don’t want to be my friends. It’s their decision but I can’t say I’ve ever noticed any loss.
You’d think I’d do well with autistic people since I don’t distract them with EYEBALLS EYEBALLS EYEBALLS, but they distract me and I distract them in other little ways that may or may not ever have been described at an Aspie blog, like my dyslexic brain’s resistance to doing things exactly the same way.
It never would have occurred to me that images of eyeballs flattened out in pictures would distract anyone, and yet, sometimes, I do consciously withhold eye contact when I can see the blur that is a face moving in a way that suggests it’s pushing for more eye contact. Usually I do that on a street, with someone I either don’t recognize or don’t want to talk to, or in a store where an employee is trying to chatter inappropriately, in order to communicate one thing I can communicate efficiently to most eye thinkers: “I don’t want to talk to you.” And if the person is brazen enough to demand eye contact in so many words, I do find that distracting, though in a more conscious way. The person is clearly being disrespectful and rude, refusing to heed a polite message. A stronger, harsher rejection is necessary!
If goaded enough I’ll speak to the person--withholding eye contact while speaking, just to make the person uncomfortable. People who do this will not enjoy what I have to say to them. What they’ve given me was verbal abuse. So is what they’re likely to get in return.
I believe it would be as wrong to reward obnoxious, pushy behavior as it would be to tell a lie. This is not a neurological reflex, nor is it an emotion. It is a moral belief. The very kindest thing to say to inappropriate yapping is “Shut up.” If any more noise comes out of the yap-hole, whatever response we make to that noise should be increasingly punitive. Extroverts need to be trained that, if they’re allowed to speak to people who didn’t even make eye contact with them, they must expect a rebuke. There will be no sale, no smile, no favorable attention.
Occasionally when I’m willing to make conversation with someone who has not demonstrated good (introvert) communication skills (which are based on showing respect for self and others and proving that you’re not a pushy pest), person has made some sort of pushy pest noises like “Look at me! I don’t know what you’re thinking!” The answer to which, of course, ought to be pounded into all eye thinkers in kindergarten: “When you are looking at people, you do not know what they’re thinking. You may imagine that you know, but usually you don’t. You have to know someone very well to guess.”
I had a teacher (fifth grade history; I liked her) who did teach us that. “Everybody look at my face and try and guess what I’m thinking,” and she waited while all thirty of us guessed, and finally said, “Dale came the closest, guessing ‘Thank Goodness It’s Friday.’ I was thinking about what I’m going to do over the weekend.” It was so painless and so instructive. Every teacher should be doing that. You cannot accurately "read the face" of a person you don't know very well. You can get a very general impression of person's physical state of tension or relaxation from the face, and if you stare long enough you are likely to get an accurate impression that person doesn't like you, but in order to communicate you have to stop staring and listen to what the person says.
The misunderstandings produced by an eye-locked conversation might be harmless or even funny. The person might want to flirt, which might even be fun, especially if it’s a stranger on a train (just make sure the person does not follow you after you leave the train). But the useful conversation is over at least until you’ve taken the time to demonstrate to the person how per eyeballs are filling per head with misunderstandings.
I might say, “Oh, you’re one of those people, are you? Very well. Look at me. What am I thinking?...Wrong. I was consciously thinking about spotted horses’ tails. (Why spotted horses’ tails? Because somebody once recommended, if you want to stop thinking about something else, trying to remember whether the last spotted horse you saw had a white or colored tail.) Would you like to try again?...Wrong. I was thinking about what you get when you divide three hundred and forty-five by seven. (Why those numbers? Because I got tired of horses’ tails.)”
Then again, the older I get, the less time I have to waste on such silliness and the more I incline to think that people’s parents and teachers ought to have demonstrated this to them already. So I’m more likely to say, “Oh, so you don’t listen to what people say—just look at them and guess for yourself, right? Make up the whole conversation inside your head? Very well. This conversation is over." I might say it nonverbally: "You may look at the back of this newspaper.”
Usually this kind of thing can be said nonverbally, in real life.
These neurotypical responses might work for people who have autism and don’t want to talk about it, too. Of course they don't win friends. My experience has been that people who "do most of their communicating with their eyes" aren't friends, anyway.
Will simply accepting that their friends are going to be at least strong ear or hand thinkers, if not visually impaired, serve autistic people as well as it serves ear thinkers? I don’t know; the blogger doesn’t say. Maybe someone Out There has had an opportunity to study this by now.
But it’s interesting to see firsthand, at that blog, what a completely different mental process might be going on for an “Aspie” who’s learned to discourage visual miscommunication in the same way that works for ear thinkers. The piece of communication that works is so similar, while the mental activity behind it is so different! That, by itself, ought to help discourage eyeballers from relying on visual miscommunication.
Web Log for 8.28.23
Book Review: The Trail Book
Title: The Trail Book
Author: Mary Austin
Date: 1918
Publisher: Gutenberg.org
Quote: “[A]bout a week after his father had been made night engineer and nobody had come into the Museum for several hours[,] Oliver had been sitting for some time in front of the Buffalo case, wondering what might be at the other end of the trail.”
I downloaded this book from Gutenberg.org. If you’re online, you can read, print, or download it too, paying only printing expenses. If you’re not, I’ll print a copy for you at cost.
So then, in this children’s fantasy story, Oliver and his sister find the stuffed buffalo and other artefacts in the Museum telling them all sorts of stories of prehistoric North America. They learn about mastodons, about Mound Builders, about women chiefs, and more. Austin’s research in North American prehistory had been extensive; I’m not altogether sure of all of her sources, but for a fantasy story collection this is an informed and informative book.
Some children love storybooks with unrestricted vocabularies. If you are reading to a child of that type, these fantasies are more wholesome than Alice in Wonderland is for pre-readers. They were intended for middle-grade readers, but know your child; some middle school students may think this type of fantasy is too “babyish” for their advanced age (ten or twelve). All I’ll say to that type of child is that this fifty-year-old aunt enjoyed the book.
Book Review: Everything Nothing Someone
Monday, August 28, 2023
Web Log for 8.27.23
A Book I Refused to Resell: The Edge of Recall
It's a sweet romance with some suspense, and the author makes some good points, BUT...
Title: The Edge of Recall
Author: Kristen Heitzmann
Date: 2008
Publisher: Bethany House
ISBN: 978-0-7642-2831-5
Length: 412 pages
Quote: “Could anyone truly believe she’d killed Smith?”
The Edge of Recall has some plot elements some readers will enjoy. As a mildly comic, lightly romantic novel of suspense it features likable twenty-somethings who form friendships easily, across what older people might perceive as social barricades. The author has fun with the word “monster,” as an obsolete term of contempt for a funny-looking person, a term of exaggerated moral opprobrium for a repulsive rich man, and of course a word for the murderer—there is a murderer, although at the moment cited, when Tessa thinks someone else is the murderer and realizes the sheriff thinks she's the murderer, there's not yet been a murder. There’s a very sweet, painfully slow-building romance for the main characters, a faster-paced romance for their friends, and a Nabal/Abigail story for a couple who aren’t so nice. There's an uncomfortably close-up and realistic look at the ambivalent relationships many people have with "mental health professionals": is Tessa's psychiatrist helping or hurting her recovery from a fictively real trauma? There are moments of spiritual reflection and, to the extent that one can believe the story, spiritual growth.
How much can one believe the story? A novel of romantic suspense is supposed to keep readers guessing, without making us feel we’ve been deliberately misled. Romances used to have a choice between sweetly sad and sweetly happy endings; when I read a nineteenth-century romance for the first time I’m in some suspense as to whether both the hero and the heroine will survive to the end of the book. The twentieth century’s overwhelming preference for happy endings, which shows no signs of subsiding, leaves very little suspense in romances written after about 1910. In fact, it’s the lack of suspense that makes some writers feel that the romance form is useful; readers know how it’s going to end, so they’re reading for the details along the way, so although commercial packages (er, publishers) usually choose a travel advertisement, writers can package anything from an evangelical tract to a crossword puzzle as a romance novel. The Edge of Recall is a novel of romantic suspense. It conforms to the rules of the genre. Whether it’s cleverly written to keep you guessing, or annoyingly mis-written to mislead you, is for you the reader to decide.
Right. In chapter one of The Edge of Recall, Tessa wakes up in a hospital where she’s been sedated, with a vivid memory of having seen a stranger stab her friend Smith. (That’s his given name.) Smith’s body has not been found. It turns out that that's because he's not dead, but in this chapter everyone is busy looking for the perpetrator of the murder that didn't happen. An unlikely rural Maryland sheriff is ruling out the possibility that the murderer cleared the scene and discussing with Tessa’s psychiatrist whether Tessa merely imagined the attack, or did it herself.
In chapter two, a younger Tessa is having mixed feelings about working with a younger Smith, although, being a heroine of romance, she can’t stop herself. Both of them work in landscaping. Her specialty is labyrinths. He’s been hired to design a dream house for a rich couple, and called the Labyrinth Lady to join him on the site after discovering that it contains the recognizable ruins of one.
Say what? It turns out that the novel has been written out of sequence, with the "most exciting" chapter yanked out of the middle and put at the beginning. But chapter two's not the beginning either. From chapter two we have to flash back again. And again.
Then there’s the one scene where Smith and Tessa actually do some landscaping work. Kudzu roots, Tessa tells Smith authoritatively, “don’t regenerate. Once I’ve cleared all remaining crowns by hand and painted the stalks with glyphosate, I’ll only need to watch out for seeds.” This is actually an ethically acceptable use of poison—painting herbicides directly onto the target plant, rather than spraying them all over the land and through the air—although salt and vinegar would be more reliably effective on the painted stalks and safer for the humans involved. Still, it shows that Cornell sold out, and is not a reliable source of information on kudzu. Poisoning any unwanted plant also wipes out whatever natural predators it has (kudzu has very few) and may also trigger aggressive second-growth patterns, meaning you have more of the plant to clean out by hand next year. If endorsing this bad landscaping idea destroys Cornell’s academic reputation forever, Cornell would deserve no less.
Kudzu roots are worth digging up because they are useful. But what property owners need to watch out for is more kudzu vines growing in from wherever the first one grew in from. The price of owning property in an area where kudzu has been introduced, especially if efforts have been made to check its growth by spraying any chemical on it, is eternal vigilance. Kudzu is a pest species because it grows unreasonably fast. Individual roots may not be regenerating, especially not if they've been harvested, but that makes no difference; there will always be more where the ones you wasted or harvested came from. If you have kudzu and you want to have a nice clean boxwood labyrinth, without a mat of monstrous vines obliterating the difference between paths and walls, you’ll need to watch out for invading kudzu vines. Daily.
So, to a literary technique some readers will find annoying, this author has--no doubt in good faith--added a landscaping technique that will, if tried, help everyone to build a kudzu graveyard. In 2008 there was some excuse for not knowing better than this, but since 2018 there is no possible excuse for including a promotion for glyphosate in a novel. So...I burned the copy that was given to me.
Butterfly of the Week: Sulawesi Rose
Sunday, August 27, 2023
Book Review: Rivers of Gold
Title: Redeeming Love
Author: Francine Rivers
Date: 1997
Publisher: Multnomah
ISBN: 1-59052-513-2
Length: 464 pages
Quote: “Angel moved out of his embrace and looked up at the stars. It made her uncomfortable when he started talking about God.”
One of Francine Rivers’ literary inspirations for this historical romance was the odd fact that “Angel,” not a particularly popular given name in the mid-nineteenth century, was a common street name used ironically by prostitutes. In that context it suggested the youngest, prettiest, and/or blondest “white slave” in a house. “Michael” was not a very popular given name at this period, either; names taken from the Old Testament or the keywords in Bible texts, which were popular with the early Puritans, tended to identify people with ultraconservative religious groups in the nineteenth century. Rivers’ character, Michael Hosea, was not brought up in that sort of tradition so his name suggests that he chose it after being disinherited, identifying with a religious group rather than his family, though no such group is named in the text. Anyway, he feels called by God to rescue the most wretched prostitute who ever kept her health in the Gold Rush to San Francisco. Her street name is Angel. Only toward the end of a melodrama worthy of its period, during which Michael offers Angel three or four alternative names that don’t quite fit, will Angel tell him her original given name.
Angel’s pathetic mother “loved” someone else’s husband and was banned from “Christian” society for getting caught—refusing to abort or sell the “by-blow” of their doomed romance. If not quite the period of greatest prejudice against women in legitimate employment (but close), the 1830s were still a period of extreme prejudice against “bad” women, i.e. single mothers. Angel’s mother came to a miserable end with only one friend, a male “guardian” (in the nineteenth century women who weren’t living with their husbands or fathers had to have legal “guardians,” like children) who was “not bright” enough to do more harm to Angel’s mother than she did to herself. This man, whom Angel was taught to call Uncle Rab, apparently believed he was accepting money from a rich “gentleman” who wanted to adopt a daughter.
Oh yeah. Right. He was selling Angel to a sadistic pedophile who, among other things, deliberately set her up for a night with her own father.
In 1850, surely the peak of the French Socialist ideal of strict gender roles, Angel wouldn’t have been considered attractive if she’d been physically or mentally capable of taking care of herself. Though her slavery was not enforced by official law, she was for all practical purposes the slave of her evil guardians, whose street names (all Angel was allowed to know about them) were Duke and Duchess. They weren’t married to each other and didn’t admit being acquainted. Duke trained his little Angel to hate sex until she looked old enough to interest normal men. Escaping from his house, she reached San Francisco and was promptly recruited by Duchess, who promised her twenty percent of her earnings and paid less, in exchange for “protection” by a goon called Magowan. He’s not otherwise characterized as Irish and was probably given the only Irish name in this novel because it seemed more plausible than just calling him “my goon.” It didn’t take Angel long to learn that Magowan’s job description included breaking the bones of any of Duchess’s “girls” who asked for their money.
But, before Magowan started beating Angel up, she’d met Michael, who felt called to pay for time just to tell her that he felt God had called him to offer her marriage as a way of escape from her horrible life. Though Angel turned him down, he was in the neighborhood in time to stop the beating when it started, give Duchess all his money to “buy” Angel, and haul her off to his farm with only a dislocated shoulder, four broken ribs, a cracked collarbone, and a concussion. Understandably, Angel does not bond with him; she stays long enough to learn some housekeeping skills and goes back to San Francisco, paying his hostile brother Paul with a quick, overtly hateful sex act for a lift into town. But San Francisco is still too uncivilized to offer much of a market for housekeepers. Angel goes back to work as a prostitute on slightly better terms. But Michael Hosea still “saw her...as the nameless child who had been broken and was still lost.”
This, apart from the basic fact of its being a credible imitation of a Real Victorian Melodrama, is my main criticism of the book. Romance readers like to feel sorry for a sweet, pathetic “child” who’s been led or pushed into sinning, suffering, and repenting. If you want to shed sympathizing tears over Angel’s emotional reactions to every kind of abuse Rivers can either describe or leave to your imagination, and identify with the friends who help her finish growing up, Redeeming Love will give you opportunities to do that. If you like a big fat romance novel with lots of ups and downs, separations and reconciliations, and the sound of a real local legend about it, Redeeming Love is for you. But Rivers insists that her novel is a remake of the biblical book of Hosea, and it's not.
In the biblical book of Hosea, there’s nothing special about the names of Gomer (“the end,” “complete,” “finished,” a name for what tired parents hope will be the last baby) the daughter of Diblaim (“raisin cakes,” probably his stock in trade) except that they’re the names of working people, not especially religious. Gomer is simply a party animal. Slavery was legal in ancient Israel; most female slaves were domestic drudges, but some probably were prostituted; Gomer, however, sells herself for liquor and luxuries, buys more of those on credit, and becomes enslaved only by running up debts to support her party lifestyle. Scholars often think the names of her children describe her marriage to Hosea. Her first child is called Jezreel, a town name that was sometimes used as a man’s name, translated as “God will scatter (the Canaanites out of this city, making room for the Israelites).” Then she gives birth to Loammi, which was not a normal name but the words for “not my people,” and Loruhamah, which was also not a standard name but the words for “no mercy.” People hearing children introduced as “God will scatter, no mercy, not my people” would have wondered what those names meant. Though Hosea explained with a warning sermon about the sins of his nation, many people still believe that he must also have suspected that at least Loammi and Loruhamah were not his children.
Then Gomer left Hosea, not because she was a slave or because his relatives disapproved of her, but just in pursuit of more of her idea of fun—wine and revelry. She was popular, according to the second chapter of Hosea’s book, “beloved of her friends,” not a pathetic friendless outcast. Her other men were not followers of the One True God or believers in Committed Monogamous Relationships. She and Hosea weren’t rich. Hosea may or may not have realized that his wife’s prostitution was funding their vines and fig trees, maybe even his barley fields, until he realized that the woman was participating in the rituals of the Baal-cult with her other men. It might have been the public shame of her idolatry, rather than the private humiliation of her adultery, that caused him to throw her out. At this period married couples did not necessarily live in one house—rich people might occupy their different properties, while poor people might still be living in separate tents—so it was up to each one to deliver the products of their labor to each other. Thus Hosea records himself telling the children, “Plead with your mother, plead...lest I...set her like a dry land and slay her with thirst.” He tried to sober up his wife simply by cutting off her supply of wine. She left. And it didn’t take her long to drink her way down from self-prostitution to slavery.
And there their personal story ends. Before his listeners or readers got restless, asking “What has this to do with us?”, Hosea moved on to his prophetic messages about public affairs, which were what he was paid to proclaim, write, and publish. He used the apparent failure of his marriage as a metaphor for how God must feel toward straying, sinning believers. The metaphor served him well enough that preachers continued to use it for centuries. Jesus blessed it by identifying Himself as the Bridegroom of Israel. Though many people want to believe that the success of Hosea’s book had something to do with people’s seeing hope illustrated in Hosea’s reconciliation with Gomer, no such scene is included in the book or in any contemporary book. We are eloquently told that he wanted to forgive her as he assured people that God would forgive them, if and when they sought forgiveness. Hosea deserved a happy ending, if ever a man did. But addictions are not cured by romantic love alone, and we can’t be sure that that reconciliation ever happened.
The Bible writers did describe some characters in such ways that we can imagine their sins to be mere reactions to hurt feelings, behavior patterns that love might actually have straightened out. Tamar, whose (strictly limited and actually legal) act of prostitution was blessed with mention in the bloodline of the kings of Israel and thus of Jesus, was one of them; she was clearly motivated not by lust for sex, money, or alcohol but by economic necessity. Shimei, whose treasonous “cursing at” King David was pardoned, might be another one; he might have been motivated by a conservative mind, a loyalty to poor mad King Saul. Zacchaeus, the “little” tax collector who didn’t dare try to find a place in the front of the audience but climbed a tree in order to be able to see Jesus, undoubtedly suffered from shame, guilt, and insecurity. The Samaritan woman at the well, whose name the pious disciples probably never found out, and the woman who washed Jesus’ feet with her tears, whose name they probably withheld from the record at her children’s request, are two more characters who are often chosen as examples of people whose sins stem from “hurts” that Jesus could “heal” through love alone.
But our sinful natures are not merely the products of loss or lack of feelings of being loved, much as some people might want to believe they are. They are primarily the products of selfishness, stubbornness, and wilful stupidity. Gomer did not leave Hosea because he didn’t love her, because she thought her other men did, or because she was too badly “hurt” to accept love; she left him because she wanted silver and gold and flagons of wine. She was not a “wounded child”; she was a drug whore. There may be a wounded child within every drug whore, but comforting that “inner child” alone has yet to break the addiction.
That is what inspired Hosea’s declarations of love. Hosea had the ability to buy Gomer, after she’d sold herself enough times that her price had dropped to a level he could afford, and bring her home and stop giving her wine. As a prophet of God he had the ability to forgive her and love her as an example of God’s forgiving love for sinful people. But he could only realize the reconciliation he was offering after Gomer accepted it and chose to change her behavior, and we don’t know whether she ever did. .
Rivers offers her readers that happy ending, but the way she gets to it is a work of sentimental fiction, with little resemblance to Hosea’s book.
For people who like long melodramatic romances—which I don’t, actually, apart from Jane Eyre, Gone with the Wind, and Jubilee—Redeeming Love is the kind of thing they like. There were in fact women who organized missions to help other women in the nineteenth century, and the end of Redeeming Love reads as if it were fictionalized from one of their stories. There’s even a stomach-settling sprinkle of real feminism in Angel’s last trip to San Francisco. I would just like this novel a great deal better if Rivers had left the book of Hosea out of it, and admitted that a true prophet probably understood his own wife’s sins better than Leo Buscaglia could do.
Then there’s the final confrontation with Duke. It won’t satisfy those looking for revenge porn, but it does seem likely to thrill and encourage those looking for hope that they’ll be able to defeat their demons in a thoroughly Christian, nonviolent way. Mere feminism, uninformed by faith, would want to see Angel collect all the money he owes her. I think readers will agree that the triumph Rivers gives her, instead, is worth all the gold in California.