Showing posts with label 2000s. Show all posts
Showing posts with label 2000s. Show all posts

Monday, March 9, 2026

Book Review: Deliver Us from Evil

Vintage book of the week...and is this one ever "vintage." Historical interest.

Title: Deliver Us from Evil

Author: Sean Hannity

Date: 2004

Publisher: Harper Collins

ISBN: 0-06-058251-0

Length: 326 pages plus index

Quote: “We cannot prevail tomorrow without courageous leadership today.”

This book makes the case for war. Since I believe war is generally a bad thing, and I know that complete and accurate information about the justification or lack of justification for any specific war is not going to be made available to civilians until the war is over, it’s not possible for me to like this book. It has historical value. It’s a well written summary of what we read in the papers. How true was what we read in the papers? Future historians may be able to judge.

I’ve read articles by Hannity, on other topics, that I liked. I’m not thrilled by the way he comes across in Deliver Us from Evil as a 24-karat fire-breathing hawk; I understand the competitive urge, the sense that we thrive on conflict, that whole Irish thing, but my feeling is that if tennis and politics aren’t a sufficient outlet for your competitive urge, either you’re not getting enough exercise or you’ve spent too much time in New York. Hannity presents himself here as a patriotic Irish-American writer who needs to nurture his talent with a nice long working vacation on an organic farm. 

Tuesday, August 29, 2023

Book Review: Everything Nothing Someone

Title: Everything Nothing Someone 

Author: Alice Carriere

Date: 2023

Publisher: Spiegel & Grau

ISBN: 978-1-954118-29-4

Length: 288 pages

Quote: "I had to go looking for her to find out what she wanted. By the time I found her she didn’t seem to care why she had called me in the first place."

Alice Carriere's mother, the artist known as Jennifer Bartlett, made her art and her name out of what may have been "Prozac Dementia." The 1980s saw a specific manifestation of this disorder that was called "Satanic Panic," in which brains seeking explanation for the nerve pain and muscle cramps the drugs caused drew their inspiration from a purported memoir called Michelle Remembers, describing ritual torture at the hand of Satanist cult groups. No sane mind would have made up such horrible accusations, but no solid evidence for the stories the patients told was found. The writer of Michelle Remembers recalled, for example, having had devil horns surgically implanted on her head, but she didn't have horns, or scars where they might have been implanted and then removed. She did have headaches.

Were there Satanists in the 1980s? Yes. Was one of their major groups based near the church college I attended? Yes. Did I know Satanists personally? Yes. Did they do horrible things to each other, to animals, or to people they claimed as friends? Yes--they took drugs, they shared drugs, they broke their opposite-sex friends' hearts and drove their same-sex friends mad with grief and worry, and the whole purpose of their cult seemed to be to torture their parents. They weren't very nice to the schools and employers their parents hoped would set them on the right path in life, either. And some of them did "sacrifice" animals; and two of them were the drug manufacturers the young property owner later to be known as David Koresh evicted from Mount Carmel House. But did they use children in sadistic sex rituals, or did they merely become unfit parents if they sobered up enough to be allowed to rear their young? Mostly the latter. I wouldn't put it past some of them to have tortured children but I suspect most of them were just too stoned to do much more than, perhaps, share drugs with children.

That Jennifer Bartlett could never substantiate her hair-raising stories may prove that the Evil Principle takes care of its own, or it may prove that Bartlett's memories were drug-induced...whether her parents, her doctor, or people on the street supplied the drugs. Anyway, she demonstrated the pattern of mental illness known as dissociative mental disorder, and trained her child to dissociate too. The drugs young Alice so willingly took, mostly prescription drugs, definitely helped the mental illness along.

"Alice" was an interesting choice of a name for her daughter. Alice Roosevelt Longworth and Alice in Wonderland were the best known characters associated with this name, but then there were Go Ask Alice and Through the Broken Mirror With Alice, two young adult novels that were written to encourage my generation to say no to drugs. One novel was said to exaggerate the dangers of drugs, one to exaggerate the hope that drug users could "just say no" and sober up and be mentally healthy again.

Alice Carriere was rich but both of her parents had been just a little too arty and avant-garde in the 1970s. Both were drug-damaged, though little Alice remembered them trying to stick to legal drugs in front of their child. Alice might have shown some damage of her own even before she started experimenting with recreational drugs. 

Too Much Anger Too Many Tears, by Janet Gotkin, was an important book written to warn my generation about the dangers of the psychiatric "medications" used in the 1960s. As Gotkin recalled, she was the typical high school star student who gets into a good college and realizes that, though she is gifted, her gifts are unexceptional. She found this discouraging. She went to a psychiatrist and asked for pills to help her feel better. She kept records of the pills she was given. They did not help her feel better, to put it mildly. Gotkin was born early enough in the twentieth century to find a husband who didn't midn that she'd disqualified herself for any responsible job. Her husband, not her psychiatrist, guided her to the saving insight that what she was feeling was not in fact a mental illness but "plain old ordinary human despair." Gotkin, eighty years old at the time of writing, dedicated the rest of her life to helping women reclaim their right to sanity without these dangerous drugs.

But by the 1990s Too Much Anger seemed outdated. The new psychiatric medications seemed so much safer...

Those who fail to learn form the past are doomed to repeat it and so Everything Nothing Someone is a newer, livelier version, with more sexual titillation and more of the glamour of wealth, of Too Much Anger Too Many Tears. Alice took all the pills her doctors offered, and felt sicker and sicker, and narrates it all with the fascinating insouciance only a very young person with very old money--and a touch of dissociative mental illness--could ever achieve. 

This memoir is not for the squeamish. It contains details of a roundworm infestation in a human (Alice) and septic wounds left by inability to heal from surgery (Jennifer) and other medical horrors, all with that weird, detached voice that reads like a US version of 100 Years of Solitude.  That makes it much more fun to read than Too Much Anger was, but the message is the same. 

Using drugs in hope of destroying a damaged portion of the brain and retraining the brain to use healthier neurons is, at best, a long shot in the dark. People who feel that their minds are falling apart are more likely to reclaim their sanity without drugs. While doctors who hand out pills to help people feel happier, sexier, calmer, or more energetic may have better intentions than people who sell drugs on the street, there are much safer  and more effective ways to feel happier, sexier, calmer, or more energetic. 

Thursday, September 29, 2011

Book Review: The Past, the Present, and the Loud, Loud Girl

Book Title: The Past, the Present, and the Loud, Loud Girl

Author: Karen McCombie

Author's web page: http://karenmccombie.com/

Date: 2001

Publisher: Scholastic

ISBN: 0-439-99868-9

Length: 200 pages

Quote: "I'm normally very happy to wake up. Except for one particular morning...It was weird--for some reason, my whole head was vibrating."

After two pages of rambling, Alexandra, or Ally, reveals that her head was vibrating because she was "nose to nose with Colin." And after only two more paragraphs, she identifies Colin as a cat who has snuggled around her head and begun to purr.

One of the themes in this series of British novels for middle school readers is that Ally is one of those mildly attention-deficient people who demand more attention from others than they're entitled to expect, only in a quiet way. Her life isn't very suspenseful, so she's cultivated a habit of stretching out any possible suspense as she dithers through unrelated mundane details. After explaining her position relative to this cat, she takes two more pages to build up to the information that her brother is always rescuing injured animals and keeping them in the house. Then after forty-eight more pages she discloses that the thing she'd forgotten, on the morning the cat wrapped itself around her head, was a school project. If you're willing to put up with this literary technique, you might want to collect the complete series of "Ally's World" stories.

But at least Ally is a quiet child. Her whole family are quiet, discreet, and self-contained. On the back of the jacket they're described as "definitely weird," and the wary reader might wonder whether their weirdness consists of being quiet, discreet introverts. Well, not exactly. Because they're so quiet and discreet, the reader might get the impression that the mother of Ally and her three siblings has died. On page 199 Ally finally gets around to explaining that her mother merely moved out.

Meanwhile, on page 56, where we find out about the school project, Ally and her nice, quiet school friend have been ordered to add a new student, Kyra, to their project team. They don't like Kyra because she is loud and pushy. The redeeming social value of this story is that the nice, quiet children have not been bullied into thinking that Kyra is wonderful and they ought to be like her. In fact, Kyra will end up admitting that she acts pushy because she's insecure. (Child readers might be presumed too young for the additional insight that people like Kyra disrespect other people's boundaries because they don't really respect themselves.)

The rest of the plot is that Ally and her siblings are trying to think of the perfect birthday present for their father. They don't have a lot of money, because they spend most of their pocket money on themselves. Of course, they will find a good cheap present their father will like, and the selection will be inspired partly by Ally's school project.

As an introvert I enjoyed the refreshing novelty of a recent novel where an extrovert is accepted only grudgingly, and only after spending a weekend working all by herself to make up for the damage her obnoxious, impulsive, pushy behavior has done. Nevertheless, these 200 pages seem like a lot of words for a predictable story about a week of mundane wholesome-family-sitcom events. I don't know any real child who spins out stories in this way, and don't know that real children need any encouragement to do so. Although it sold steadily, the series wasn't exactly as popular as Harry Potter, the Baby-Sitters Club, or the Lemony Snicket books.