Wednesday, September 17, 2025
Book Review: War Is a Racket
Thursday, September 14, 2023
Book Review: Anne of Green Gables
Book Review: Anne of Green Gables
Author: Lucy Maud Montgomery
Date: 1908, 1992
Publisher: L.C. Page (1908), Bantam (1992)
ISBN: 0-553-21313-X
Length: 308 pages
Quote: “A-n-n looks dreadful, but A-n-n-e looks so much more distinguished.”
Anne Shirley hardly needs an introduction. She’s a whimsical, fanciful orphan who convinces two old people (brother and sister) to adopt her, and grows up to make them glad they did. She talks too much, but apart from that she’s a lovable child.
Mark Twain called her “the sweetest creation of child life yet written.” How much does that say about her? Not much had been written strictly about child life even in Mark Twain’s time. Twain’s best known characters were young, as were Jane Eyre, Oliver Twist, and the Little Women, but they did not live what could be narrowly described as child lives—their stories carried them forward into grown-up life. How Anne compares with Heidi or Sara Crewe, or whether Mark Twain was familiar with either of them, this deponent sayeth not. Anyway, readers usually enjoy Anne.
I tend to suspect that some real-life character study went into Anne. What makes her so lovable is that, although she chatters, she chatters like a desperately lonely, needy introvert. She's not trying to control the attention of the world; she's looking for someone who can appreciate her long, deep, earnest thoughts. She's like a baby writer who's never learned to type. I think that's why people who like books always like Anne, even after they grow up and do a bit of fashionable grumbling about the commemorative statue as "the Anne that Ate Prince Edward Island.".
Meaning that our objection is that the character has become too popular. The tourist industry, not Montgomery, is the proper target of indignation. Montgomery probably never imagined that larger-than-life images of her characters would appear in ads on, for, and among buildings that would not have fitted into the “beautification scheme” Anne takes up in one of the sequels..
In view of its huge popularity this book can be recommended to two types of adults: (1) Those who need more of a reminder than “flavoring cake with liniment,” “dyeing red hair green,” or “feud with the boy she grows up to marry”; and (2) those who have lost, misplaced, or worn out their copies and need a new copy to give to a middle school girl.
Friday, May 26, 2023
Book Review: Mandie and the Invisible Troublemaker
Reclaimed from Blogjob...
Title: Mandie and the Invisible Troublemaker
Author: Lois Gladys Leppard
Date: 1994
Publisher: Bethany House
ISBN: 1-55661-410-8
Length: 173 pages
Quote: “I have a great idea, Uncle John. Why don’t you just buy my school.”
Although the Mandie Books were published by a Christian publisher, and although Mandie is being brought up a Christian who recites a Bible verse for courage and prays for President McKinley, Volume 24 is not exactly what parents think of as a Sunday School book. Mandie goes to a small, pathetic “private school” run by two old women, sisters; the sister responsible for their finances is stressed and irritable, and refuses to listen to Mandie’s truthful explanations of how the messes into which Mandie stumbles came to happen. Mandie happens to overhear the sisters talking and realize that although they can’t afford to expel Mandie, the sisters think it best to make Mandie think they’re going to expel her. She calls their bluff, threatens to leave the school, and decides it’s all right for her to break school rules on purpose since she’s being blamed for someone else’s misdeeds anyway.
At the same time, Mandie is doing what is, for a thirteen-year-old, a noble thing. Most of the girls at her school don’t interest her, although she claims to think of them as friends. Three of them she particularly dislikes. She’s sure that one of her three school enemies is taking papers to her room and tucking open jars of molasses into her bag, just to cause trouble for her. She enlists her school friend Celia to help her find out for sure before she accuses one of them. The mystery isn’t made very easy to guess, and Mandie’s self-control pays off when she finally sees the invisible troublemaker.
Still, her disrespect for the teacher is rebuked but not really repented of—and her heroic refusal to make accusations that might be mistaken is not rewarded by others, either. This is another Mandie Book that definitely reads more like a memory shared by someone who really was in school in 1901 than like a typical moralizing Sunday School story.
Though Lois Gladys Leppard no longer needs a dollar, and I still have to charge the minimum of $5 per book + $5 per package, almost any Fair Trade book would fit comfortably into the package along with this pocket-sized book. Or you could complete your collection with twelve different Mandie Books, which would (probably) cost $65. Payments may be sent to either address in the lower left-hand corner of the page.
Categories Book, Christian Tags 1900s, children's story, mystery novel
Sunday, May 14, 2023
Book Review: Rivers of Gold
Title: Rivers of Gold
Author: Tracie Peterson
Publisher; Bethany House
Date: 2002
ISBN: 0-7642-2380-1
Length: 383 pages
Quote: “The woman gently urged, ‘You wake up. You no die.’”
Rivers of Gold is a romance.
In the smaller sense of the word, which is the one most often used today, a romance is a story in which two people “fall in love.” Though the details of their quarrelling and making up may teach readers something about interpersonal relationships, the main purpose of these stories is to remind people of the feeling of “falling in love,” and thus either help hard-working wives turn their attention back to their husbands, or distract teenagers from what they ought to be doing, depending on who is reading these stories. Since there is no doubt about the outcome of these stories, and little is going on besides the couple drawing closer together, many people say that, if “romances” are not positively pornographic, they’re boring.
In the larger and more classical sense of the word, however, a romance differs from a novel in that more goes on in a romance. A novel was originally supposed to be a realistic story in which things that really happened were fictionalized just enough to allow the author to reminisce (or speculate) frankly about people’s private thoughts and motives. A romance was supposed to be a fantastic story, usually set in faraway times and places the author and reader knew only in fantasy, often dealing with the adventures of royalty, superheroes, or arch-villains, sometimes featuring speculative elements like ghosts, supernatural beings, or time travel, and usually featuring adventures that were at least unlikely. The names of the genres were originally meant to suggest the difference; for English readers a novel was meant to be like a news story, a romance to suggest the exotic glamour of Italy. A “love story” is not even a necessary element in this type of romance, though the classics of “romantic” fiction, like Orlando Furioso and The Faerie Queene, usually include more than one couple who will share adventures and be separated and be reunited before the end.
I mention this because what Tracie Peterson set out to do with her “Yukon Quest” series is a romance in the classical sense, dramatizing the broader-stage “romance” of the Yukon’s gold rush days with tales of the unlikely adventures, including love stories, that real people really had. Though Miranda, who almost froze and/or drowned in an icy river and is being urged to wake up in the opening scene, will fall in love with the scientist whose housekeeper wants her to sip spoonfuls of hot tea, we’ll read about their “romance” and the early days of their marriage along with the other adventures of their friends; the story’s not over when Miranda and Teddy take their vows. Babies will be born; toddlers’ lives will be in danger. A murderer will falsely accuse an innocent teenager and get the boy locked up until the others can prove who really killed their friend. What seem like fortunes in cheapened gold will be found and lost. Bethany House being a Christian publisher, somebody who has led a frivolous, unbelieving life will be led to profess faith in Christ. The story is fiction, and is meant to sound excitingly exotic and unlikely to us today, but it’s based on records of things that actually happened. Bethany House achieved fame with the Mandie books for children; though the setting is different this series is meant to appeal to adults who enjoyed the Mandie books.
What’s not to like? If you start here (volume three), although it’s easy to figure out that a Victorian Heroine is meeting her Rescuing Hero in the first scene, it takes a while to figure out who the other characters are and why we’re reading about them in the next several pages. It wouldn’t have been hard for Peterson to let Miranda’s happy dream, before she sips tea, include some reference to her friend Karen, or let Karen’s conversation with her husband include some reference to the certain death of their friend Miranda—but she doesn’t. Eventually, of course, all readers will catch up with the story, but I suspect I would have liked this book better if I’d started with volume one.
If the idea of a large multiethnic cast of people trying to bring the Gilded Age alive in the wilderness appeals to you, you may want the entire series. Here be steamships and washtubs, proper etiquette and concern about when the next shipment of canned fruit will arrive, passionate kisses followed by guilty soul-searching until proper Victorians can make up their minds to marry each other, sled dogs and claim jumpers, a kidnapping, a madly international celebration of Queen Victoria’s birthday, couples living in love after the honeymoon is over, enough tender moments to remind you of your courting days if you’re a grandmother, and no details likely to raise a suspicious blush if you’re reading this book in the most boring class of your school day. People who like historical romances should enjoy every page.
Friday, April 30, 2021
Book Review: Life of a Useless Man
Friday, October 13, 2017
Book Review: Hunter's Hill
Wednesday, October 11, 2017
Book Review: Earthquake in the Early Morning
Monday, September 25, 2017
Book Review: J.B. (Murphy)
Friday, August 18, 2017
Book Review: The Good Master

(The 1945 reprint shown above has an especially pretty cover. What I have is the 1935 first edition, though unfortunately a library discard. What you'll get, if you don't ask for a collectible early edition, will be a more recent reprint.)
Author: Kate Seredy
Publisher: Viking
ISBN: none
Length: 210 pages
Illustrations: many black-and-white drawings, two-page color drawing as frontispiece
Quote: “My dear daughter Kate...is more than delicate. She is the most impossible, incredible, disobedient, headstrong little imp. And she needs more than fresh air—she needs a strong hand!”
When authors share their own given names with their fictional characters, the stories are likely to be autobiographical. Although this book doesn’t explain the precise points of resemblance, Seredy dedicated it (emphasis original) to “the wise, kind, and tolerant good master DR. WILLIAM MANNINGER...to say: Thank you.” Whether that means Dr. Manninger was her uncle, that Seredy’s own father sent her to live with her uncle (and aunt and cousin) after her mother died and Seredy did so well on their farm that her father was willing to move back to the farm for her sake, she doesn’t say (in the book).
The story is, in any case, about a child’s happiest memories of a year on a small farm in Hungary around the turn of the twentieth century, when she’s allowed to wear something like culottes at home but is told, for special occasions, that “all nice girls wear” skirts—plural—every skirt in their closet, all at once. “Only eighteen...I have thirty-six, but I am a married woman,” her uncle’s wife complacently explains, filling the doorway with the thirty-six skirts she’s managed to stretch over each other at one time. (As a matter of historical record, some Hungarian women who lived in town, at this period, expected themselves to show off how many skirts they owned every day, and admitted that they gave themselves backaches.)
Hungary was a Catholic country at this period, but (as the Pagan writer known as Zsuzsanna Budapest
It’s a good story, though, even if your memory of reading it is clouded by knowing that you read it all wrong, and even if a favorite term of endearment by which adults call Kate comes out in English as...a word that, in 1935, the editor really should have realized was no longer interchangeable with “kitten.” It did originally mean a female cat, and Kate obviously understands it that way, but in the U.S. other little girls who were encouraged to read this book, as children, would grow up to have a character explain “common” as “the worst word I knew, worse even than ‘pussy’.” (That’s in Katie Letcher Lyle’s more young-adult novel, I Will GoBarefoot All Summer For You, 1973.) Presumably Seredy got away with explaining her own use of that word as a literal translation, like the rather awkward scene in which Kate is bribed to drink fresh warm milk for breakfast with the title to a white horse whose name is translated as “Milky.”
Arguably Kate’s other adventures include more cautionary tales of her scrapes than happy scenes of her triumphs. She dives off the ferryboat and nearly drowns in the current, but Jancsi happens to be already riding a horse that can wade in to the rescue. She follows a band of cheerful thieving Gypsies with the intention of helping recover the things they’ve stolen from her uncle, but panics and flees when she smells the fumes of herbs thrown into the fire, perhaps to “enchant” her into sleeping and losing the way home, and has to be rescued by her uncle instead. On the other hand, she learns to ride horses, milk cows, cultivate flowers, spin, sew, and...teach! Not only do Kate and Jancsi live too far out in the country to go to school regularly, but Jancsi hadn’t even learned how to read and write until Kate started teaching him and the laborers what she knew.
For a community to need a ten-year-old “teacher” is obviously a disaster, and Seredy moves quickly past that scene...Does it count as a spoiler if every adult reader saw the happy ending coming, probably earlier than page 112? This is not a novel of suspense; it’s a teaching story, commemorating the nicest things the Slavic immigrants at the turn of the twentieth century hoped to bring to North America.
Read as lightly fictionalized nonfiction, it’s quite a pleasant child-sized “story.” It won a Newbery Award and therefore, like other Newbery winners, has been kept in print. Reprints cost $5 per book, $5 per package (you could probably fit six books this size into a package, and Seredy wrote several), + $1 per online payment. To order a doll dressed like the cover drawing on your copy, add $10. For the European Folk Art style binding shown in the picture above, send $20 per book. Amazon isn't even showing collectors' prices for first editions that were not used and discarded by libraries.
Thursday, August 10, 2017
Book Review: Oscar of the Waldorf
Wednesday, October 19, 2016
Book Review: The Thurber Carnival
Publisher: Random House (Modern Library)
ISBN: none
Length: 369 pages
Illustrations: drawings by James Thurber
Quote: “Thurber’s life baffles and irritates the biographer because of its lack of design. One has the disturbing feeling that the man contrived to be some place without actually having gone there. His drawings, for example, sometimes seem to have reached completion by some other route than the common one of intent.”
That’s what Thurber, age 62, wrote about himself by way of an introduction to a collection of reprints of short early pieces, including drawings.
About his drawings the most obvious thing to be said was always something like what Thurber said, also in the preface to this book: “[H]e saw, not two of everything, but one and a half. Thus, a four-wheeled wagon would not have eight wheels for him, but six. How he succeeded in preventing these two extra wheels from getting into his work, I have no way of knowing.” Thurber was not “legally blind” but always had very poor eyesight. He sketched the outlines of things as he knew them to be more than as they looked to him. That the facial expressions of the people and animals in his drawings sometimes looked hilariously appropriate, to other people, may well have been the only way Thurber learned anything about facial expressions. Often they look inappropriate—in the way that it’s not always altogether clear to which species the animals are meant to belong—and that’s part of their comic effect. For someone who actually saw so little of the world around him, who knew he’d sketched something well because other people told him so, Thurber is remembered for a remarkable number of insightful-looking drawings.
He is, of course, remembered mostly for insightful and funny short stories. Everyone of my generation, at least, remembers “The Secret Life of Walter Mitty,” “The Night the Bed Fell,” and possibly “Doc Marlowe.” Those three stories are in The Thurber Carnival with about fifty others, but although Thurber claimed to be looking forward to retirement when this book was published, some of his best work remained ahead of him. Any serious collector of American Humorous Literature will want Alarms and Diversions
If there is something about Thurber that a reasonable person with a reasonable sense of humor might not like, it’s his “colored” characters. Thurber drew Black faces about as badly as he drew White ones, and noticed Black people primarily as people who spoke a different dialect of English that intrigued his word-loving ear. He didn’t hate, dislike, or despise Black people. He was, however, most likely to notice them as uneducated low-paid employees, his own or someone else’s. His intention when he wrote about somebody like Della, whose use of a word that sounded like “reeves” bemused him so that he hardly even seemed to care that she meant “wreaths,” was not to create or build stereotypes—Della’s “reeves” obviously bemused Thurber because he’d never heard anyone else say that word that way—but if he ever thought of Della as anything more than an employee who talked in a funny way, he didn’t write about it.
Well, he was about the age of my grandfather, and he wrote for his own generation; what made Thurber special was that readers from the next two generations (in my family) or three (in the U.S. demographic scheme, generally) enjoyed so much of what he wrote, too. He generally skimmed lightly around news and political issues, although there are plenty of oblique references to those in his writing, and focussed on the funnier aspects of words and of people. This means that, if you’re willing to place a few observations about other races and nationalities, and a lot of Thurber’s observations about women, in their historical context, young people will probably laugh at Thurber’s jokes, too.
About Thurber’s remarks about women…I think the thing that redeems those is that, in real life, Thurber was a husband, father, grandfather. He lived in and wrote about a period when people seem to have been trying very hard to believe things about men and women that made it almost impossible for men and women to live happily together. Some people chose to avoid marriage for this reason; many married and were unhappy; a blessed few, like at least one pair of my own personal grandparents, had enough economic independence and/or enough social support in their churches to observe that the drivel they were hearing about “femininity” had nothing to do with their own actual observations of feminine persons in real life or in the Bible. (In fact the drivel was of French Socialist origin, but little seems to have been said or written about that.)
So Thurber observed things that inspired his short stories about couples who hated each other and were trying to get each other declared insane, his drawings of the beleaguered little man feeling that his house and wife were one big devouring monster lying in wait for him, or the man whose first wife was either lurking with obvious evil intentions or dead and stuffed on the shelf above him and his present wife. He was aware of a Problem. He didn’t preach that the solution to this Problem involved individual family love; he was not a preacher. He did, occasionally and when he could do it to humorous effect, write about listening to the cook (if only to write about the funny way she talked), and listening to little girls (even if their own mothers leaped in to stifle the little girls’ creative whimsy), and the mysterious way Saralinda, even when she wasn’t appreciated or treated as well as she deserved, turned November into June. Thurber was not even a proto-feminist but I always got the feeling, reading his work, that he was less burdensome to feminists than most men of his age.
The Thurber Carnival is available as a Fair Trade Book. Prices vary from day to day, depending on the quality of copies available, but I can probably afford to send you a copy for the usual $5 per copy + $5 per package + $1 per online payment. You could fit a few books by living authors into the package for $5, so please feel free to scroll down and look for a Fair Trade Book to add.
Sunday, June 19, 2016
Book Review: Mandie and the Fiery Rescue
Author: Lois Gladys Leppard
Date: 1993
Publisher: Bethany
ISBN: 1-55661-289-3
Length: 159 pages
Quote: "Is that the Molly whose mother works in the mill, and who lives at nine Murphy Lane?...Is she in the section that is on fire?"
Through the eighteenth and into the nineteenth century, one of the leading causes of death for young women was allowing those layers of long swishy skirts and sweeping shawls to get too close to those open fires. ("I have a bad habit of standing before the fire," Louisa May Alcott had Jo March confess; T.H. White claimed that masochism caused Victorians to stand or sit as far from the fireplace as they could bear to, but in fact, any impatience to warm and dry out their clothes could become more life-threatening than a chill.)
Nevertheless, in the climactic scene of this story, Mandie and her pals Jonathan and Celia charge into the blazing mill to rescue little Molly, a younger child they've met while taking the tour of Europe that was part of every rich American teenager's education in Mandie's day. They are, Mandie points out to the local fireman who tries to stop them, smaller than grown-up fire fighters, so maybe they can crawl into the part of the building where Molly is trapped...and in they go, without even wetting themselves down first. (Wetting down was about as much protection as real fire fighters could provide themselves, back then.)
They have, however, taken the time to hold hands and repeat, "What time I am afraid, I will trust in Thee." The fireman has, as his kind still do today, preferred to err on the side of caution. And we know this book was written by the daughter of the real woman whose improbable, but real, early life inspired the forty Mandie Books. So we know our heroes will be all right, and Molly and her mother will get out, too. To preserve some suspense, I won't say what becomes of Molly and her mother at the end.
Although Mandie has more book-length adventures than a real person of her day could have squeezed into that many years, the basic story of the blonde biracial girl from the Great Smoky Mountains, who starts out as a poor orphan, gets rescued by rich and influential relatives, and travels around the world proudly owning her unfashionable Cherokee heritage and reciting her favorite Bible verse, is the true story of Lois Gladys Leppard's mother. Mandie's adventures are fictionalized, but this base in reality keeps them from deteriorating into either a Teen Romance or a Sunday School Book. Mandie is real, and little girls (and readers who were once little girls) around the world love her.
Unfortunately, Leppard no longer needs the $1 she'd get if you bought Mandie and the Fiery Rescue from me as a Fair Trade Book, so that's no longer possible...and I still have to charge $5 per book + $5 per package for online sales. (For $10, I can dress a doll up to 12" high in a unique handmade outfit inspired by any of the characters in the cover drawing and add that to the package, bringing the total to $15; bigger dolls cost more. For $45, I'll squeeze any eight of the Mandie Books that you don't already have into a package.) If you just want to complete your collection of Mandie Books, feel free to use the Amazon photo link to buy this one directly from the seller who posed the photo, who may offer a lower price.
Wednesday, July 29, 2015
Book Review: The World So Fair
Several people in cyberspace are currently using the name "Karen Peyton." None of them seems to be the author of this novel. In the absence of evidence that the author of The World So Fair is alive we can't offer this title as a Fair Trade Book. And it's become a collector's item, with library copies selling for $10 and up, so the $15 per book ($50 if you want a hardcover copy without library-damage) does not directly benefit a living writer. However, it's a slim book and would fit into the same package with one or more Fair Trade Books for one $5 shipping charge. To buy it online, send payment to either of the addresses at the very bottom of this page.




